A Quote by Richard Ford

I have a theory... that someplace at the heart of most compelling stories is something that doesn't make sense. — © Richard Ford
I have a theory... that someplace at the heart of most compelling stories is something that doesn't make sense.
The most compelling confirmation of Marx's theory of history is late capitalist society. There is a sense in which this case is becoming truer as time passes.
It's hard to find really original, compelling works of fiction, for women especially. I find that these true life stories about these women that I'm so blessed to play are some of the most compelling stories, and the truth is stranger than fiction.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
Everything factual is, in a sense, theory. The blue of the sky exhibits the basic laws of chromatics. There is no sense in looking for something behind phenomena: they are theory.
It presents a really compelling case against the whole theory of anthropogenic global warming. From my point of view, it is a theory that has completely corrupted public policy making in most of the developed world. It confronts all the dubious claims that the warmists have put out there.
Stories hold power because they convey the illusion that life has purpose and direction. Where God is absent from the lives of all but the most blessed, the writer, of all people, replaces that ordering principle. Stories make sense when so much around us is senseless, and perhaps what makes them most comforting is that, while life goes on and pain goes on, stories do us the favor of ending.
We do have tendency, now in biology especially to make up stories, to make theoretical biology a kind of game, in fact we have game theory in biology which is meant to use the theory of games to make predictions or explain things.
History, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn’t make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn’t fit. And often that is quite a lot.
Our stories arise from our hearts and our souls. In this sense, telling our stories becomes a sacred gesture, opening a clear way to that deep, ecstatic center where we are most uniquely our selves, individual and unique, and yet are ourselves, joined together at the heart.
I tell personal stories associated with aspects of the theory, and I hope they are interesting and compelling. I don't feel you're going to change a grownup's mind in one reading. People have to be exposed to scientific ideas over and over again for years. It's also not a textbook.
When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.
Most of the time, when someone tells you something, and it makes sense, it just makes sense. And that's that. But sometimes it really doesn't make sense.
Stories matter. Stories are how we make sense of the world, which doesn't mean that those stories can't be stupid and simplistic and full of lies. Stories can exaggerate and offend and they always, always matter.
I always like to make sense of things that, in theory, would not make any sense together. It's true that the core of Calvin Klein has been . . . I don't want to say conservative, but real clothes that are worn by everybody.
You're basically on set to help the production. You're helping the actors make it make sense, or maybe you wrote something that doesn't work in the production sense. Most of it is coming up with jokes.
Print-on-demand publishing is the new farm system for new voices in fiction. Authors who have compelling things to say, who can market their stories in compelling ways, will succeed.
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