A Quote by Richard Foreman

So I decided to start writing plays, and went to Yale. — © Richard Foreman
So I decided to start writing plays, and went to Yale.
I wrote fiction during my entire childhood, from age 4 to 18, and started writing plays when I went to Yale and Oxford.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
Yale men do not like to be told anything by people who didn't go to Yale. The closest I came to Yale was once I had one of their padlocks.
I was so unhappy as a child in Washington I figured if I'm going to Yale, I am going to start a new life. I'll change my name to my middle name. So I was known for my four years at Yale as David Kramer.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try to write.
I decided to have a regular childhood and not pursue [acting] until I left school, although I wrote plays, directed plays, and got involved in theatre at school. When I left school I decided that's that I was going to pursue and gave it a crack.
At college - I went to Yale, and everybody's very smart, and everybody has their thing that makes them special, and people at Yale would pretend they didn't recognize me. Only after they'd had a couple of drinks would they start singing the 'Life Goes On' theme song.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
My father's father wrote for a Philadelphia newspaper and aspired to be a playwright. We had in our house a couple of crazy unproduced plays that he had written. For the one creative writing class I took in my life, I didn't do any writing - I decided that I would plagiarize his terrible play to not fail the class.
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
When I was 11, I decided to start rapping, playing guitar, and writing songs. Everything really blossomed from there.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
I used to split my time between writing, music and painting. I would work on a book and then abandon it, start a band, do an album, quit music, then do a gallery show. Eventually I decided to give writing a serious shot.
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
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