A Quote by Richard Foreman
One does not devote one's life in art to shock an audience.
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I think it's harder than ever to be an artist. I think that you end up, especially as a middle-aged person, you pay such big consequences for saying, 'I'm just going to devote my life to making art,' or 'I'm going to devote my life to writing novels.' You end up with no resources.
Art does not imitate life. Art is much more powerful than that. Art brings life back. And it does it by exposing the secrets we all carry inside.
The way you get meaning into your life is to devote yourself to loving others, devote yourself to your community around you, and devote yourself to creating something that gives you purpose and meaning.
It's really the old question: Does art inspire life or does life inspire art? Maybe it's a combination of both. But Trump represented something. He didn't create what we are. He comes from what we are. And he's a representative of what we are, whether we like it or not. He's just not our better nature.
...start thinking of yourself as an artist and your life as a work-in-progress. Works-in-progress are never perfect. But changes can be made...Art evolves. So does life. Art is never stagnant. Neither is life. The beautiful, authentic life you are creating for yourself is your art. It's the highest art.
In theatre, the main objective is to make the art happy, not the audience! If you have to choose between the audience and the art, always choose the second! You must know that the audience will always pull you down; resist it and fly at the heights like an eagle!
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
Were "A Clockwork Orange" or "Blue Velvet" released today, would they have the same power to shock that they had when they came out? Are we too inured by that torrent of images and the ridiculousness of modern political life, so that nothing shocks us anymore? What does it take to shock someone today - or at least jolt them? I don't have an answer. I'm just asking the question.
Just as the body goes into shock after a physical trauma, so does the human psyche go into shock after the impact of a major loss.
Certainly, I devote my energy to both telling my personal life story and seeking self- obliteration. However, I will not destroy myself through art.
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
I don't think you can shock an audience anymore. Me cutting my head off is a great illusion, but when you turn on CNN and there's a guy really getting his head cut off, it does dilute what I did.
Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator...
Art is a personal gift that changes the recipient. The medium doesn't matter. The intent does.
Art is a personal act of courage, something one human does that creates change in another.
I decided to devote my life to telling the story because I felt that having survived I owe something to the dead. and anyone who does not remember betrays them again.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
Some people act as though art that is for a mass audience is not good art, and I think this has been a very negative thing. I know that I have wanted very much to write books that are accessible to the widest audience possible.
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