A Quote by Richard Gere
I'd bought a lot of really challenging, cutting-edge Joel-Peter Witkin photographs very early on. There were severed heads and amputated feet and hands in them - gruesome stuff. I had them all around the house, and if someone couldn't relate to it in some artistic way and instead just said "Yuck," then there probably wouldn't have been anywhere for us to go.
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The youngsters who live in housing projects are some of the most talented and nicest kids you'll find anywhere. But they're right on the cutting edge - they could go either way. You have to work with them, guide them, and mold them like a piece of clay.
I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story.
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
I remember I had had one woman who had three or four kids, and some of them were having problems. I said, 'Maybe you could go write somewhere else, away from your house.' And sure enough, all kinds of wonderful stuff emerged. She was keeping too much charge of herself because she couldn't stop being a mother when she was in the house. You have to find your own way of letting loose, if you're one of those people.
I didn't have a chance to buy you anything," she said, then held both closed hands toward him. Uncurled her fingers. In each cupped palm a brown egg. He took them. They were cold. He thought it a tender, wonderful thing to do. She had given him something, the eggs, after all, only a symbol, but they had come from her hands as a gift. To him. It didn't matter that he'd bought them himself at the supermarket the day before. He imagined she understood him, that she had to love him to know that it was the outstreched hands, the giving, that mattered.
You start to stress yourself out about the people around you. You start to think, like, "What do you really want from me?" And then you forget that you, at some point, asked them for something. At some point you needed them to take you in because you ain't had nowhere to go. And now you turn around and question their loyalty to you, and those were the only people loyal to you. The only people that really loved you are still there, and you tanked on them. I'll never let that happen.
Early in my career when we went to golf tournaments and charity dinners I noticed businessmen and executives would give the players their cards. Well, they're giving you their cards for a reason. I said to my wife, 'All the guys get these cards and then when they get to the parking lot they rip them up or throw them away. It's really weird.' My wife .. said maybe you should just sign a picture and mail it to them. You know, 'Great playing golf with you,' or whatever. So, I did and lo and behold some of those guys I sent pictures to way back then are now CEOs at big companies.
That's the worst of girls," said Edmund to Peter and the Dwarf. "They never can carry a map in their heads." "That's because our heads have something inside them," said Lucy.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
The other slaves in the field never let that house slave knew - know what they were really thinking. If the house slave said, well one of these days all of us will live in the plantation, they said, uh huh. They went along with him. But if you came up to them and said, let's go, they would be gone just like that.And in, in America you have the same situation.You have the vast masses who are still slaves.
I'm not someone who's an immigrant who's struggling in that way, but between New York and L.A., I had someone tell me very early on, "If you're going to be broke anywhere, it's better to be broke in L.A. At least the weather is nice." I was like, "You're right." I didn't take them up on that.
Some thoughts went through my head about recording some stuff that had influenced me earlier in my career like blues and early rock. But it didn't seem to really make sense at that point - it might have been taken the wrong way. A lot of people already had been into that trip.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
We don't actually have rich and poor together instead we have a family. What does it mean? If you have resources, you hold them with open hands. The mark of the early church was that they began sharing and it said there were no needy persons among them. They ended poverty as they created this new loving community.
I really, really love children and I think probably among children is when I feel mostly berated. It's not like I feel like oh, there's some children here. I have to tone it down. I go nuts with children especially when I ain't got none. So when I'm round my mates' children, I jest them kids up first. I swear at them, I get more worked up, I say crazy stuff to them, fill their heads with nonsense and then I leave them.
I wasn't even aware that there are different styles of taxidermy, traditional and rogue. I wound up really liking the rogue stuff the most, just because it is more artistic and people can go anywhere with it. That stuff I really liked. Honestly, I would have liked to buy some of those pieces.
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