A Quote by Richard Gere

I've always maintained that all characters and all personalities are in all of us. The whole thing is available. You're not this or that, no one is. — © Richard Gere
I've always maintained that all characters and all personalities are in all of us. The whole thing is available. You're not this or that, no one is.
No 'mise en scène' has the right to be repeated, just as no two personalities are ever the same. As soon as a 'mise en scène' turns into a sign, a cliché, a concept however original it may be, then the whole thing - characters, situation, psychology - become schematic and false.
The most fearless hearts, the audacious dreamers, have always maintained a sense of optimism that often flies in the face of the available evidence.
If it is right that schools should be maintained by the whole community for the well-being of the whole, it is right also that libraries should be so maintained.
The people who write official histories for the Army believe that a generation needs to pass before you can tackle the official history. It's useful to have some distance. Sources become available. Passions cool. It allows an opportunity to make some real assessments and judgments about personalities and characters.
I have always maintained that it's not the quantity of work, but the quality that should speak. I have maintained the same for my music albums, too. I have always released them after a gap of two to three years.
So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.
When you're in a band, you're all in it together. You're always available. You're always available for the albums; you're always available for the tours. There's no question of that.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
I feel my characters are valid, my characters are people, my characters have hope. Hope is the thing that'll take us through.
I've always maintained that there's no such thing as period acting, I think that's a class thing. I don't believe that people moved and spoke much differently than we do now.
The thing about a band is, it's not so much how good the musicians are - it's the blend of personalities and characters. It's the human chemistry that makes up a good team.
The society wants you to have beautiful personalities; the society wants you to have personalities which are comfortable for the society, convenient for the society. But the person is not the real thing, the individual is the real thing. The individual is not necessarily always comfortable to the society - in fact he is very inconvenient.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
From since I could remember I've always been an artist, drawing, painting and so forth. I would also always draw made up rock n' roll characters in a band who each had their own style and personalities. I think by accident I was already becoming a fashion designer.
I believe that it is a whole lifetime of work on Shakespeare's part that enabled him to do what he did. But the question is how you can explain this whole lifetime in such a way to make it accessible and available to us, to me.
The one thing I've always maintained is that I'm an American Indian. I'm not politically correct.
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