A Quote by Richard Gere

I haven't worked with people who are jealous or competitive. That's a particularly deadly attitude to have when you're working on a film. — © Richard Gere
I haven't worked with people who are jealous or competitive. That's a particularly deadly attitude to have when you're working on a film.
I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.
Everybody who's anybody has been competitive and over-sensitive and a bit silly. Look at Paul McCartney, look at Elton John. They're jealous of Justin Timberlake. I'm sure they were jealous of me when I was in my imperial phase.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I live in southern Appalachia, so I'm surrounded by people who work very hard for barely a living wage. It's particularly painful that people are working the farms their parents and grandparents worked but aren't living nearly as well.
I've worked in government. I've worked in competitive New York litigation, I've worked as a writer and reporte..
I guess people assume I have some sort of totally magical life, but I'm a working musician, fortunately. I've worked on my craft, and I'm very fortunate I've been able to survive in a very competitive industry and enjoy my success. It's not easy.
The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
I spent a year and a half working for an art fair. I worked as a post-production assistant for a documentary film company for a while. Then I worked at the Apple store because I wanted a discount to be able to buy new gear to edit things while I was figuring out whether or not I wanted to go to film school. Those were the main things.
The venom clamours of a jealous woman poison more deadly than a mad dog's tooth.
But jealous souls will not be answered so, They are not ever jealous for the cause, But jealous for they're jealous. 'Tis a monster Begot upon itself, born on itself.
I am particularly pleased to see that there are so many women working in documentary film.
We'll be competitive with organized labor, we're also competitive with regular, unorganized labor, working people who see their stakes and their future in the plans we're putting forward to move Massachusetts forward.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
Am I jealous? he thought, astonished. Jealous of the chance object to which she has attached herself? Jealous of something that does not concern me? One can be jealous of a love that has turned away, but not of that to which it has turned.
We just constantly worked on second Saw film, it's not an Academy award level film, but we worked as hard we could to make it plausible.
"Bruce" was an Eddie Murphy film, so there was a whole different vibe, working on that film, as opposed to working on a [Adam] Sandler film, which I'd done a few of. First of all, there were tons of kids running around. I'm surprised I ever had a kid after doing that film.
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