A Quote by Richard Gere
Sometimes I'm kind of spacey. I'm like Ferdinand the bull, sniffing the daisy, not aware of time, of what's going on in the real world.
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We had a teacher in school who would organize dramatic shows. And she decided to put on a show about - I don't know whether you remember - 'Ferdinand the Bull', the comic script. However, she decided, you're going to sing Ferdinand, me, as a role.
We used to have a bull. A real bull. At that time, Jennifer Lopez was my neighbor. God bless her, she took it. But other neighbors did not like it, that we have a bull.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
The more confidence you get as far as games under your belt, time spent with the guys, time in an offense, dealing with all the bull crap that you deal with in this profession. At some point you're kind of like, 'Screw it. I'm going to be me and do everything I can to win and if they don't like it, then oh well.
[Leafpool] waved her tail in greeting as she padded past Cloudtail and Daisy; as she left the clearing she heard Cloudtail meowing, "This time try to pretend I'm a badger and I'm going to eat your kits." "But my kits really like you," Daisy protested.
I do think, actually, one thing I noticed with Silicon Valley post-Trump is it kind of made them more politically aware, more aware that, like, business and philanthropy alone isn't going to make the world a better place.
If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
. . . word-sniffing . . . is an addiction, like glue -- or snow -- sniffing in a somewhat less destructive way, physically if not economically. . . . As an addict, I am almost guiltily interested in converts to my own illness . . .
I thought I was going to be like Kevin Spacey in college.
I'm very good at delegating - people work much better when they have a real sense of responsibility. But at the same time, I don't like surprises. I don't pore over every shoot, but I do like to be aware at all times of what's going on.
in a middle of a room stands a suicide sniffing a Paper rose smiling to a self "somewhere it is Spring and sometimes people are in real:imagine somewhere real flowers,but I can't imagine real flowers for if I could,they would somehow not Be real" (so he smiles smiling)"but I will not everywhere be real to you in a moment" The is blond with small hands "& everything is easier than I had guessed everything would be;even remembering the way who looked at whom first,anyhow dancing
Relationships are kind of like riding a bull. You hang on for dear life and sometimes you get a little buck here and there ... but you get back on.
Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift.
Do you ever feel like running away?" "Of course... Sometimes I feel like I want to run away from everything." "I remember having that feeling once when I was at the Daisy Hill Puppy Farm... I climbed over the fence, but I was still in the world!
I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.
It's psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you're trying to depict. You start to feel very weighted down sometimes.
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