A Quote by Richard Greenberg

By the time I started writing plays, Broadway was never an expectation, so it's never been central. — © Richard Greenberg
By the time I started writing plays, Broadway was never an expectation, so it's never been central.
Because I'm an American woman, and I write straight plays, it's always been sort of assumed I would never be done on Broadway. But that was never the goal.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
I never stopped writing. I started writing when I was twelve years of age. And I was writing all the time. But nothing was translated until thirty years after I started writing, when The Hidden Face of Eve was translated in 1980.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.
I've always loved Broadway, but I never thought I'd actually do it because I was never a full Broadway dancer. And I don't have a big, booming voice.
Vine is where 'Don't' started popping off. A lot of famous Viners used the song, and that was crazy because I had never been a part of something like that. I drank champagne for the first time when it got 100,000 plays.
I started writing songs so late and I had so many day jobs - jobs just to pay the bills. So, when I started doing this, I said, "I'm never gonna do anything to corrupt this. Never try to "sell it." Never gonna do anything to make this a job." I can go five months without writing a song. Then something will happen and I'll write six songs in a week.
TV showrunners have become known entities to people who watch television in the way that movie directors have been known to filmgoers for a long time. When I started out as a writer and producer in television, I never had the slightest expectation that fame would be part of the job.
Cinderella is making her Broadway debut. It's an honor to step into that position and, in that way, I am creating a role because it's never been done on Broadway. I feel so honored.
I've always known that writing plays is very difficult, because I've written three or four that have never been produced.
I do think reading is the best practice for writing, along with writing all the time. I actually never liked writing on my own or in school until I'd had my blog for a while and realized I'd been writing every day for years.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
I pretty much started out writing full time. I was an at-home mom and when my youngest entered kindergarten, I started writing. I was 35, and before that I really hadn't written at all. Which means, I guess, that a) it's never too late to start a writing career (or any career you really want) and b) it's OK to get to your mid-30s and still not know what you want to be when you grow up.
I love going to other people's weddings, but I have never desired a big white wedding for myself, and it has never been put on me as a pressure, an expectation.
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