A Quote by Richard Greenberg

My usual route is, I do a play at South Coast Rep, then there's time between and I revise it, and then I take it to New York. — © Richard Greenberg
My usual route is, I do a play at South Coast Rep, then there's time between and I revise it, and then I take it to New York.
I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.
I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
I revise the manuscript till I can't read it any longer, then I get somebody to type it. Then I revise the typing. Then it's retyped again. Then there's a third typing, which is the final one. Nothing should then remain that offends the eye.
I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.
Not only are we going to New Hampshire ... we're going to South Carolina and Oklahoma and Arizona and North Dakota and New Mexico, and we're going to California and Texas and New York! And we're going to South Dakota and Oregon and Washington and Michigan. And then we're going to Washington, D.C. to take back the White House, Yeeeeeaaaaaargh!
I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.
I went to grad school in San Francisco, and then left for New York City with my eye on Broadway. I had saved $5000, which seemed like a lot of money in my mind... until I realized it was going to take $2500 to get to New York and then the first and last month's rent.
I did all of California from north to south. I did Florida from north to south. I went to the Midwest. I spent time discovering the culture because I thought I was going to stay in America for only two years. Then I decided to come to New York.
I was born in New York and raised in South Florida, so I'm an East Coast girl.
But then again in the East Coast, I think, Tupac, inspired everybody on the East Coast, everybody down south, everybody in the West Coast you know what sayin'.
I get the 'The New York Times' and 'Los Angeles Times' thrown at my door every morning. I'll read the front page of 'The New York Times,' then the op-eds, then scan the arts section and then the sports section. Then I do the same with the 'L.A. Times.'
Sometimes I live in Paris for a couple of months, then I have a job some place, and then I come back to New York. I guess my base is New York-ish, 'cause my family is here. But my husband's family is all in Paris, so we try to spend a lot of time there, also. Especially now that we have Rose.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
I like the fact that I can rep New York, but my style does not - I'm not trapped in a New York thing. I can do art songs with other artists and it's seamless.
The best New York in the world is driving down the [Pacific Coast Highway] listening to the Velvet Underground. That's the best time I've ever been to New York.
My family's support and the negative environment of the day toward blacks in South Carolina became the forces that led me out of the South - first to New York, then to Philadelphia, where I found opportunity in the form of a PAL gym and my trainer, Yank Durham.
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