A Quote by Richard Greenberg
I was formed by 'The Forsyte Saga' marathon. There was something about seeing all those events telescoped that was unbelievably moving: that sense of time as something that can be tinkered with.
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When a Forsyte was engaged, married, or born, the Forsytes were present; when a Forsyte diedbut no Forsyte had as yet died; they did not die; death being contrary to their principles, they took precautions against it, the instinctive precautions of highly vitalised persons who resent encroachments on their property.
I love two-lane highways. They say something about the way things used to be, and about areas that don't have a lot of people. On those two-lanes at night you get the sense of moving into the unknown, and that's as thrilling a sense as human beings can have.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
Life is an energy field, a bunch of molecules. And these particular molecules formed to make these four guys, who then formed into this band called the Beatles and did all that work. I have to think that was something metaphysical. Something alchemic. Something that must be thought of as magic.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Your identity is being formed whether you understand it or not, whether you are cooperating or not. Something is being formed all the time, either through your response or your non-response. All your circumstances are to establish something. If you don't respond to them properly, then you establish something that you don't really want to be known for.
Life was so much simpler in pre-video days when everyone refused invitations because the 'Forsyte Saga' was on. Now we all just have a long list of unwatched shows, all of which, it seems, our friends are raving about. I feel as outdated as if I wore a Fair Isle sweater, ate Pot Noodle and had a two-bar electric fire in the sitting room.
The marathon's about being in contention over the last 10K. That's when it's about what you have in your core. You have run all the strength, all the superficial fitness out of yourself, and it really comes down to what's left inside you. To be able to draw deep and pull something out of yourself is one of the most tremendous things about the marathon.
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.
What is prayer but a wish for the events in your life to string together to form a story -- something that makes some sense of events you know have meaning.
The problem with a popular art form is that those who want something more are in a hopeless minority compared with the millions who are always seeing it for the first time, or for the reassurance and gratification of seeing the conventions fulfilled again.
Something outrageous, in the truest sense of the word, is always happening. On social networks, we're always voicing our reactions to these outrageous events. We read essays and 'think pieces' about these outrageous events. We comment on the commentary. We do this because we can.
I think that sense of surprise, that you don't know where something is going, or what's going to happen, even as you write, that you're making it up as you go along - that's important to me. It's not a question of shock or surprise in a gimmicky way. It's that as you read, you become more deeply into something and into what happens, and become more involved and engaged, you're learning something or you're appreciating something or seeing something differently - that's what's surprising.
Best wishes for a great marathon. Be sure to savor it. The first marathon is something special. Run long and healthy.
There are six senses: five are outer; they tell you about the world. I say something about the light; without eyes you will not know light. Ears say something about the sound; without ears you will not know anything about the sound. There is a sixth sense, the inner sense, that shows and tells you something about yourself and the ultimate source of things. That sense has to be discovered. Meditation is nothing but the discovery of the inner sense.
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