A Quote by Richard Harris Barham

His eyes so dim, so wasted each limb, that, heedless of grammar, they all cried, that's him! — © Richard Harris Barham
His eyes so dim, so wasted each limb, that, heedless of grammar, they all cried, that's him!
A pair of bright eyes with a dozen glances suffice to subdue a man; to enslave him, and enflame him; to make him even forget; they dazzle him so that the past becomes straightway dim to him; and he so prizes them that he would give all his life to possess 'em.
The first man . . . ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds?
The dog is often quick to resent a kick, be it from man or beast, but I have never known him to show anger at the door that slammed to and hit him. Probably, if the door held him by his tail or his limb, it would quickly receive the imprint of his teeth.
Arthur, with his keen blue eyes and hair of burnished gold, his ready smile and guileless countenance. Wide and heavy of shoulder, long of limb, he towers above other men and, though he does not yet know the power of his stature, he is aware that smaller men become uneasy near him. He is handsomely knit in all; fair to look upon.
She cried for the life she could not control. She cried for the mentor who had died before her eyes. She cried for the profound loneliness that filled her heart. But, above all, she cried for the future ... which suddenly felt so uncertain.
As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.
Ah," she cried, "you look so cool." Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. You always look so cool," she repeated. She had told him that she loved him, and Tom Buchanan saw.
Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title. - Virginia Woolf, from Jacob's Room Television is chewing gum for the eyes.
Love isn't a burst o' trumpets and a flock o' doves descendin' out o' the heavens to roost on yer heads. Tis sharin' a cup o' tea by the hearth on a cold winter's night. 'Tis the look in yer husband's eyes when ye lay yer first child in his arms. Tis the ache in yer heart when ye watch the light in his eyes dim fer the last time, and know a part o' ye has gone out o' this world with him.
I have seen him in the watchfires of a hundred circling camps They have builded him an altar in the evening dews and damps, I have read His righteous sentence by the dim and flaring lamps, His Day is marching on.
And just as I start to move past him, my hip accidentally rubs against his, and his face is so close, and his eyes so deep, that I can't help but lift my fingers to his smooth, sculptured cheek. Then without even thinking, I close my eyes, lean in, and kiss him.
By a generative grammar I mean simply a system of rules that in some explicit and well-defined way assigns structural descriptions to sentences. Obviously, every speaker of a language has mastered and internalized a generative grammar that expresses his knowledge of his language. This is not to say that he is aware of the rules of the grammar or even that he can become aware of them, or that his statements about his intuitive knowledge of the language are necessarily accurate.
His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.
Bones didn’t share any of my qualms about suddenly holding an arm that wasn’t attached to a body anymore. He just grabbed the ghoul by his other arm and began thumping him over the head with the loose limb. I’d heard Bones threaten to beat someone with their own limb before, but I’d always assumed that was a figure of speech. Apparently not.
Turn your eyes upon Jesus, look full in His wonderful face, and the things of earth will grow strangely dim, in the light of His glory and grace.
I promised I'd save him, take him home! I promised him!" . . . Thomas hugged Chuck to his chest, squeezed him as tightly as possible, as if that could somehow bring him back, or show thanks for saving his life, for being his friend when no one else would. Thomas cried, wept like he'd never wept before. His great, racking sobs echoed through the chamber like the sounds of tortured pain. (pg 358 hardback)
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