A Quote by Richard Hell
I never thought I would write an autobiography, probably because my first novel, Go Now, is really all drawn from my life, even though it's more about the psychology going on.
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Once I read autobiography as what the writer thought about his or her life. Now I think, 'This is what they thought at that time'. An interim report - that is what an autobiography is.
I hate to predict my future. I never really thought I would be a head coach at 34 years old. I never thought I would be traded to Tampa. I never even really thought I would be fired, even though I probably deserved it. I try not to predict things.
A novel, especially a first novel, is... really an emotional autobiography. All these emotions I'm embarrassed at having had, I've written about.
I've never been that person who thought that because I've written one novel, I should write another and another. It's only when there was another novel to write that I was going to write another.
Girls are trained to say, ‘I wrote this, but it’s probably really stupid.’ Well, no, you wouldn’t write a novel if you thought it was really stupid. Men are much more comfortable going, ‘I wrote this book because I have a unique perspective that the world needs to hear.’ Girls are taught from the age of seven that if you get a compliment, you don’t go, ‘Thank you’, you go, ‘No, you’re insane.
Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
The way I would live my life is: never do something in real life that I would not want to write about in my Autobiography.
Frankly, I would never like to write an autobiography because my life is an open book.
'Panto!' is basically my life. It's not a comedy drama; it's a documentary. I was going to write an autobiography, but I thought I'd write this instead.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
For some reason as a kid growing up in Lubbock, Texas, I always thought I was going to go to UCLA. I think it was because they had such great sports teams, and it was in California, where the actors were. But even though I was talking about being an actor when I was young, I was first going to be a football player. My dream was "I'm going to go to UCLA and be a football player."
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
We found ourselves becoming more serious about playing music than our friends were - or just more committed and had more meaningful connections. I realized then that I would probably be playing in bands for the rest of my life; that that's what made me happy. Even though it's awesome that people are paying attention - buying records or selling shows out - I never have that conscious thought about, "this is going to be the band that will tour the world."
It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting.
I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.
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