A Quote by Richard Herring

I am reasonably nice-looking and have quite an expressive face, which is good for comedy. — © Richard Herring
I am reasonably nice-looking and have quite an expressive face, which is good for comedy.
Ironically, there isn't much comedy film in Britain, which is quite surprising seeing that we're quite good at it.
I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
I have always been reasonably anonymous, but I suppose that has gone with the success of 'Homeland.' I feel a lot more visible, which is good and bad. Good because I am getting recognition, but I am slightly apprehensive because I always enjoyed my anonymity.
What the artist is always looking for is the mode of existence in which soul and body are one and indivisible: in which the outward is expressive of the inward: in which form reveals.
I just like comedy in general. My film work, which has been at times more dramatic, has been satisfying. But I never feel quite as good and as light and blissful as when I'm doing comedy.
I quite like looking mucky; it's quite nice not having to care about how you look.
The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
I am looking at you and you are looking at me. This is very good. I am looking and I am liking. You are looking and you are thinking, 'I hope she doesn't hit me with her crop.' But that is because I am me and you are you.
I worry about my face not having expression. I've never been known for glamour, so it's probably easier for me than it is for someone who has been known for her incredible beauty and glamour. I always wanted to be Geraldine Page, who was just a fabulous actress with just a nice, normal, expressive face.
I become quite inhibited particularly when I do comedy, I won't - there's a whole thing of allowing an audience in and if you - if you cover yourself with a mask of, kind of, severity, which I'm quite good at doing, that's masking fear of course, then people feel shut out.
You have to promote yourself; you have to have this smile on your face all the time and be this nice guy - which I am!
All human action is expressive; a gesture is an intentionally expressive action. All art is expressive - of its author and of the situation in which he works - but some art is intended to move us through visual gestures that transmit, and perhaps give release to, emotions and emotionally charged messages. Such art is expressionist.
I am not considering shifting my image from action to comedy or romantic comedy. I have done or am doing films which are action-oriented: comedy roles and romantic-comedy roles.
It's always nice to have people say you're good-looking. But I do get told I'm not right for parts because I'm too good-looking.
I think the good thing about my face is it has always been expressive. With Botox that goes - not what you want as an actress.
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