A Quote by Richard Herring

My Less Than Secret Life' by Jonathan Ames was a revelation, as shocking as it is funny. — © Richard Herring
My Less Than Secret Life' by Jonathan Ames was a revelation, as shocking as it is funny.
How wonderful it is that we believe in modern revelation. I cannot get over the feeling that if revelation were needed anciently, when life was simple, that revelation is also needed today, when life is complex. There never was a time in the history of the earth when men needed revelation more than they need it now.
Recently, I've discovered Radiohead and find them to be quite good. So clearly, I'm some kind of musical retard. (Jonathan Ames, Middle-American Gothic)
Brilliant. . . . Marriage Confidential is both laugh-out-loud funny and gasp-out-loud shocking, and nothing less than a Feminine Mystique for our time. Mark my words, your marriage will change after reading this book.
There's nothing less funny than somebody trying to be funny. I loved Jack Dee, then I met him and I became the least funny human to exist because of my desperation to say something amusing.
I have had breast implants, but it's so funny 'cause it's not a secret; I could care less.
More than a pleasant surprise, Danny Schmidt was no less than a revelation to me. And that's not a word I use lightly.
I saw an advertisement the other day for the secret of life. It said "The secret of life can be yours for twenty-five shillings. Sent to Secret of Life Institute, Willesden." So I wrote away, seemed a good bargain, secret of life, twenty-five shillings. And I got a letter back saying, "If you think you can get the secret of life for twenty-five shillings, you don't deserve to have it. Send fifty shillings for the secret of life."
There's nothing less funny than trying to force funny.
A friend of mine pointed out to me, "Why do you separate your writing and your music?" I got (writers) Rick Moody and Jonathan Ames to do the first one, and it just kind of gathered steam; then NPR picked it up. It is a nice way for me to marry both sides of my career, a move that's probably culminated in me dropping the name John Wesley Harding.
Jonathan Coe's genial, likeable novel can only be described as a kind of lit-prog-rock concept album... Coe recreates the period with such loving accuracy that I frankly suspect him of having planted a secret microphone in the tin Oxford Mathematical Instruments box I carried around in my school days... As always with Jonathan Coe, the sheer intelligent good nature that suffuses his work makes it a pleasure to read.
It's harder to be funny if you're handsome than if you're very normal-looking. It's just more relatable. You're the underdog. I mean it's funny to see people struggle, and you don't buy that Brad Pitt is struggling, you know that guy could be the most skill-less guy in the world, but if you look like that you will be fine for the rest of your life.
The only ones that stand out to me are people like Jonathan Richman or Robyn Hitchcock, who can make you totally cry while their music is so funny and they're hilarious. They know they're great but they also don't think they're better than you and they really invite you into their show.
I saw Jonathan after he faced the fear demon, you know. It showed itself to him as you. That told me all I needed to know. The greatest fear in Jonathan’s life is the love he feels for his sister.
It was shocking to see Nirvana play, because it was like, "Here's this little guy with a monster-guitar sound." And it was heavier than Black Sabbath. That was shocking.
Like, I feel like I'm funny, despite the fact that I keep getting rejected by people less funny than me.
What we call the secret of happiness is no more a secret than our willingness to choose life.
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