A Quote by Richard Herring

Like many nerdy youngsters I spent much of my childhood listening to Monty Python records, learning them verbatim, fittingly parroting them. — © Richard Herring
Like many nerdy youngsters I spent much of my childhood listening to Monty Python records, learning them verbatim, fittingly parroting them.
When everyone was listening to pop music I was listening to Monty Python records.
I like musicals that are sometimes comedic, but I haven't even seen the Monty Python musical, and I'm a huge Monty Python fan.
At the end of Season Four of 'Mr. Show,' instead of doing another season, everyone just thought they wanted to go and do a movie. Kind of like Monty Python. Monty Python went right into 'And Now For Something Completely Different,' and everyone kind of compared 'Mr. Show' to Monty Python.
I love the humor of 'Monty Python.' I always remember being so impressed by how violent 'Monty Python' are, actually, when you look at what they do. Terry Gilliam has a great way of kind of proposing violence.
Many businessmen fail to understand Python principles--the ultimate absurdity was an offer from America to buy the 'format' of the Python shows, that is, Monty Python without the Pythons--corporate methods do not have the conceptual framework to deal with an anarchist collective, run by intelligent and arrogant comedians who have proved that their method works.
Missing out on 'Monty Python' was a real blow at the time. I sometimes wonder how things would have been different if I had been invited to join 'Monty Python,' but as the saying goes, one door closes, another opens.
I had a 'Monty Python' CD, and I would listen to it in the car on the way to school. It also refined my British accent. I can do a killer British accent because I'm just imitating 'Monty Python.'
Monty Python is like catnip for nerds. Once you get them started quoting it, they are constitutionally incapable of feeling depressed.
I have spent an awful lot of time listening to Canadians, learning from them, working with them.
Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
Monty Python paid me £20,000 to write, direct and assemble them - the cheapskates! I told them I'd never earned less in a year since leaving Cambridge. The first show sold out in 43 seconds and we ended up performing ten in total. We had no idea there would be such demand.
I've always been more of a nerdy, academic type. I loved 'Star Wars' growing up. I have three older brothers, so they were a big influence on me. We loved 'Danger Mouse,' and we love 'Monty Python'. We loved any kind of British comedy and 'Wallace and Gromit' and all of that stuff.
I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.
I wish records got made faster and looser with less thought in them, but since touring is so much more profitable than records, you spend so much time on the road that it's hard to work on them. And the records get further and further apart.
If a song is funny and absurd, and it sounds great, it's just going to be that much funnier. And there's no better example of that than 'Monty Python.'
You can start any 'Monty Python' routine and people finish it for you. Everyone knows it like shorthand.
This site uses cookies to ensure you get the best experience. More info...
Got it!