A Quote by Richard Herring

In my 20s and 30s, I vociferously wanted to be single. I rarely got into long-term relationships and enjoyed going out with different people. — © Richard Herring
In my 20s and 30s, I vociferously wanted to be single. I rarely got into long-term relationships and enjoyed going out with different people.
When I was in my 30s, I was at the end of a long-term relationship and going through a very hard time. I'd had about 15 different addresses and a series of relationships. I thought, 'It's time to have a look at yourself.'
When you're in your 20s, you're a little more carefree; you're single. You have a very different way of looking at the world and experiencing the world. But later in your 30s, when you have children, a career, career obstacles, mortgages, car payments and relationships, you have to negotiate; that's a very different life.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I had thought a lot about unmarried life during my years as an unmarried woman - which was all during my 20s and into my 30s. I was someone who didn't have a ton of relationships as a single person - and so I had a sharp identification with singlehood.
I think of the friends of mine who were blissfully single in their 20s and 30s. Still single in their 40s and 50s, they seem to be contracting a bit.
You've only got your 20s and 30s to secure a job; you'd better be established by your 30s.
I'll admit that I enjoyed my 20s more than my teens, my 30s more than my 20s.
I was blessed in the sense that I got handed so much early on in life. I got a lot of the things people go through their 20s and 30s craving.
We believe being in long-term, deeper relationships with artists is a great strategy, we will be 100% pursuing it. There has never been a debate with Michael Cohl as to whether we should be in the Madonna business or be in long-term relationships, or be in more rights with artists.
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'what's the party going on right now that I should be going to?
If anything, when you're in your late 20s, early 30s, and then mid-30s, you're getting less attractive.
I spent a lot of time flailing around, not really sure what I wanted to do, in my 20s and early 30s.
As I grew older and got into the late teens and early 20s, I wanted to be a voice of the people. You know, getting locked up all the time and going through so much oppression and seeing it all around myself, I wanted to be a voice for it.
I've always been funny, but I never considered it as a particular career path until my early 30s, when I realized that hip-hop wasn't going to be the long term.
Relationships have to have a give and take if they're going to work in the long term.
This site uses cookies to ensure you get the best experience. More info...
Got it!