A Quote by Richard Herring

I went to the career adviser when I was 16, and tried to explain that I wanted to be a comedian or a writer. That was not on the list. — © Richard Herring
I went to the career adviser when I was 16, and tried to explain that I wanted to be a comedian or a writer. That was not on the list.
My career was exploding at the same time that social media itself was expanding. But when my online videos were taking off, I didn't think, 'Oh, great! I'm going to be able to parlay this into a career!' I just wanted to be a comedian. I just wanted to perform live.
I've wanted to be a mother since I was 16, but I also just knew I wanted to have a career as well.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write.
I wanted to be a comedian. I wanted to meet waitresses and felt that being a comedian was my best way to go about it and I was right.
When a young writer deliberately tries to create an effect, the result is often a little self-conscious and overdone. But why is it so hard for us to glory in what the writer has tried to do, or even in the very fact that the writer has deliberately tried to do something?
I was engaged at 16 to Nigel Tiffany and he's now my financial adviser, so we've been friends all these years.
I had all the usual ambition growing up. I wanted to be a writer, a musician, a hockey player. I wanted to do something that wasn't nine to five. Acting was the first thing I tried that clicked.
I told them I wanted to be a comedian, and they laughed; I became a comedian, no one's laughing now
When James Bond presses the watch and the car explodes, the writer doesn't go into the science of it. One should leave it to the leap of faith. I have tried to explain as much as possible, and what I can't, I have left it to people's imagination.
I always wanted to be a comedian but never thought I'd be a musical comedian.
The first time I went to Helene Hanff's apartment at 305 East 72nd Street, it was 1977, and I was a 16-year-old girl who wanted to be a writer.
I was very precocious when I was young. I went to college at 16, and I graduated at 20. I wanted to be a writer, but I was more interested in experience than in applying myself intellectually.
Writing is as big a part of my career as acting is, financially and time wise. So, yeah, I love it. That's all I wanted to do since I was young was be a writer. So that and acting are the two most important aspects of my career.
I really just wanted to be a writer, but people tell you, 'You should have a backup career,' so I thought, 'OK, I'll act.' That was the foolishness of my vision for my life - that my backup career would be completely undependable.
My roots were in acting. That's all I wanted to be. Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'
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