A Quote by Richard Ingrams

I don't trust photographers. I'm now a relaxed, contented 60 year-old, but look at my pictures and you see a crazy, bug-eyed serial killer. — © Richard Ingrams
I don't trust photographers. I'm now a relaxed, contented 60 year-old, but look at my pictures and you see a crazy, bug-eyed serial killer.
The main thing is to study pictures and stop listening to the pontifictaions of photographers. Photographers aren't oracles of wisdom. If they're good photographers, then take a good look at their pictures - what else do you need?
A lot of people say writers start losing their powers after 60 or 65. But I look at the best-seller list and see a book by that 14-year-old gymnast, Dominique Moceanu, and I think, 'Now, what's she going to tell the world? And these 25-year-old rock stars, what are they going to tell the world?'
We also told her you weren't a serial killer," Brit interjected. Cam nodded. "That's a glowing recommendation. Hey, at least he's not a serial killer. I'm going to put that on my Facebook profile.
We still have a long way to go. Because the reality is that I'm 52-years-old. And how many 55 to 60-year-old women do you see in sports broadcasting? How many? I see a lot of 60-year-old men broadcasting. The physical appearance and natural aging of all the men doing this job don't matter.
It's incredibly unfair. You don't see a lot of 60-year-old women with 20-year-old men onscreen.
My first book was called 'Buried Dreams,' about a serial-killer, which was probably about ten years ahead of the serial-killer curve. It was a national bestseller, but it was three years of living in the sewer of this guy's mind.
I think it's interesting that when you play a lesbian, people ask you if you're a lesbian, but if you play a serial killer, nobody asks you if you're a serial killer.
I want to play a character I've never been before-a crazy serial killer like Charlize Theron in Monster. I'd love to have to shave my head.
And that desire-the strong desire to take pictures-is important. It borders on a need, based on a habit: the habit of seeing. Whether working or not, photographers are looking, seeing, and thinking about what they see, a habit that is both a pleasure and a problem, for we seldom capture in a single photograph the full expression of what we see and feel. It is the hope that we might express ourselves fully-and the evidence that other photographers have done so-that keep us taking pictures.
Someone who knew me when I was 14 said I was the oldest 14-year-old on the planet. Now I'm a 14-year-old who is 60.
If you look at old pictures, Irene Casey is so pretty. Not just young, but pretty the way you look when your face goes smooth, the skin around your eyes and lips relaxed, the pretty you only look when you love the person taking the picture.
Most of the people at my headline shows are in their 20s, but it varies a ton: like, I've had a six-year-old hug my leg after the show and a 60-year-old shake my hand. It's cool to see people connecting with the music across different generations.
I'm a mix of a 14-year-old high schooler and a 60-year-old guy. It can never fall into the 30s or the 40s. It has to be 100 percent 60 or 100 percent 14, no in between.
I like women to be attracted to me. See, when you get 60 years old, and they know you're 60, the only women you can get are 55-year-old women, and I like younger women.
I'm writing a film called 'Bug.' It's an original script, and it's not about killer insects. It's a thriller set in a high school. The bug of the title refers to a surveillance device.
Is it crazy that George Bush, ex-President of America, now paints pictures of dogs? Tiny, little, nice pictures of dogs, after all the suffering that he caused? That's crazy that he's doing that!
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