A Quote by Richard Jackson
The heart sags. My footprints forget me.
I don’t think anything will ever be the same.
This is the edge of the cliff and you can’t move,
can’t jump. Everything is vertical. With binoculars
you can see where you’ll be in an hour. Raindrops
collect on the lens. A fine mist. It hides us.
It drifts into clocks. Gravity presses your hands.
Some hurts never get said. Some get smuggled.
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Some people come into our lives and they move our souls to sing and make our spirits dance. They help us to see that everything on earth is part of the incredibility of life... and that it is always there for us to take of its joy. Some people come into our lives and leave footprints on our hearts and we are never ever the same.
A word does not say anything
And at the same time it hides everything
Just as the wind that hides the water
Like the flowers that mud hides.
A glance does not say anything
And at the same time it says everything
Like rain on your face Or an old treasure map
A truth does not say anything
And at the same time it hides everything
Like a bonfire that does not go out
Like a stone that is born dust.
If one day you need me, I will be nothing
And at the same time I will be everything
Because in your eyes are my wings
And the shore where I drown.
I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.
Some people come into our lives and quickly go. Some people stay for awhile, and move our souls to dance. They awaken us to a new understanding, leave footprints on our hearts, and we are never, ever the same.
I'm trying to get a lower center of gravity. I think, when I play at a lower level, it helps my overall game, just my explosiveness to the rim with the ball in my hands. When I play with a lower center of gravity, my legs are always in my shot instead of playing vertical out there where I don't get the same explosion or legs into my shot.
My mother told me when I was a kid that each time we get to what feels like the edge of a cliff, we have two choices: to turn around and run, or to jump. I have learned over time to jump - and though it is scary, I know somewhere inside me that I will be caught.
Get scared. It will do you good. Smoke a bit, stare blankly at some ceilings, beat your head against some walls, refuse to see some people, paint and write. Get scared some more. Allow your little mind to do nothing but function. Stay inside, go out - I don't care what you'll do; but stay scared as hell. You will never be able to experience everything. So, please, do poetical justice to your soul and simply experience yourself.
We spoke of how to say good-bye,” Jem said. “When Jonathan bid farewell to David, he said, ‘Go in peace, for as much as we have sworn, both of us, saying the Lord be between me and thee, forever.’ They did not see each other again, but they did not forget. So it will be with us. When I am Brother Zachariah, when I no longer see the world with my human eyes, I will still be in some part the Jem you knew, and I will see you with the eyes of my heart.
I don't think you can tell somebody how they should collect. I think it's just about being turned on by art.At the end of the day, some people just kind of get it. They don't all get it in the same way or get the same artists, but it's a journey that excites them.
We never really see time. We see only clocks. If you say this object moves, what you really mean is that this object is here when the hand of your clock is here, and so on. We say we measure time with clocks, but we see only the hands of the clocks, not time itself. And the hands of a clock are a physical variable like any other. So in a sense we cheat because what we really observe are physical variables as a function of other physical variables, but we represent that as if everything is evolving in time.
I said to my children, 'I'm going to work and do everything that I can do to see that you get a good education. I don't ever want you to forget that there are millions of God's children who will not and cannot get a good education, and I don't want you feeling that you are better than they are. For you will never be what you ought to be until they are what they ought to be.
If anyone were to find out—” I began. Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
That's all I can do, is continue to plant the seeds; some will be trees, some will be plants, some will be bushes, some will bear fruits, some are for the season. My constant flow is to keep putting out quality and letting it get into the right hands.
Some of us get dipped in flat, some in satin, some in gloss...." He turned to me. "But every once in a while, you find someone who's iridescent, and when you do, nothing will ever compare.
Some of my friends said I wouldn't have a future in football, as did some of my family, but I still believed in the potential I had. My mum would tell me I needed to get a proper job, but for me, I didn't want to be anything other than a footballer. That led to some tension and frustration between us.
When you rebound, you've got to get some edge. You get some elbows early in the game, it kind of gets your blood flowing. Then you're kind of just on edge, just aggressive from there.
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