A Quote by Richard Jeni
I was brought up Catholic. My mom brought us to mass every Sunday - short for 'massive head trauma' that you get from your mother punching you in your little nine-year-old head every minute because you can't sit still for anything that's boring.
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I was brought up Catholic and we show my mom, my mother, my sister and then I take pains to explain on camera, that there were years after that where I wasn't really religious. I certainly wasn't a Catholic anymore, but I still lived with some mythical man in my head. I didn't really put a name to a face, but I just knew that if I was in trouble or scared I would go, 'Oh God, please help me get out of this one.'
I am not a person of faith. I'm a Catholic. I was brought up Catholic, but I'm not a church-going sort of girl. I'm very spiritual. I pray every night. I believe in Heaven and Hell, but I'm not a person that goes to church, like, every Sunday.
Growing up, I was your classic Catholic Irish kid. I went to mass every Sunday. Then in secondary school I went to boarding school, and there was mass seven days a week before breakfast - it may have put me off!
But I smiled, and smiling was easy, no matter how strange and disorienting the street seemed to be. I was a fugitive. I was a wanted man, a hunted man, with a price on my head. And I was still one step ahead of them. I was free. Every day, when you're on the run, is the whole of your life. Every free minute is a short story with a happy ending.
I was brought up Methodist, christened as a little baby and went to church every Sunday.
When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife.
In my head I am in one of those Buddhist caves where you see a thousand Buddha faces on the wall. In my head I am on my seventeen-year-old acid trip, when I saw my personas fall one minute after another, as if I was dying every moment.
Stop a minute, right where you are. Relax your shoulders, shake your head and spine like a dog shaking off cold water. Tell that imperious voice in your head to be still.
Sit down at ten o'clock in the morning and write anything that comes into my head until twelve. One of the few things I've discovered about writing is to form a habit that becomes an addiction so that if you don't put something down on paper every day, you get really mean and awful with withdrawal symptoms, and your wife and your dog and your kids are going to kick your ass until you get back to it because they can't bear you in that state of mind.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
Embrace the faith that every challenge surmounted by your energy; every problem solved by your wisdom; every soul stirred by your passion; and every barrier to justice brought down by your determination will ennoble your life, inspire others, serve your country, and explode outward the boundaries of what is achievable on this earth.
The movie is usually, for me, something organic that grows all the time. I sit home and write it, and I'm in an isolated, four-walled environment, and I don't know what's going on. I just write it, and it's appearing in my head in some idealized way where every single moment works, and every little thing is perfect, because it's in my head.
If we get you in the early years of your life and we fill your head with all of the Catholic stories, then it's very hard for you to stop being Catholic. Catholics are Catholics because they like being Catholic.
Every mother can easily imagine losing a child. Motherhood is always half loss anyway. The three-year-old is lost at five, the five-year-old at nine. We consort with ghosts, even as we sit and eat with, scold and kiss, their current corporeal forms. We speak to people who have vanished and, when they answer us, they do the same. Naturally, the information in these speeches is garbled in the translation.
You're trying to grow up, and you don't want to be like your parents, and that gets mixed up with being Korean... They brought their values from Korea, and I accepted them because I didn't know anything more. But as I grow older, I feel more Korean every year; it's very strange.
I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.
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