A Quote by Richard K. Morgan

There's a lot of young authors out there, and people do seem to forget: in order to write well, you do need to have some experience. — © Richard K. Morgan
There's a lot of young authors out there, and people do seem to forget: in order to write well, you do need to have some experience.
Whereas young people become accomplished in geometry and mathematics, and wise within these limits, prudent young people do not seem to be found. The reason is that prudence is concerned with particulars as well as universals, and particulars become known from experience, but a young person lacks experience, since some length of time is needed to produce it.
I try to write 1,000 words. Some people say it's not about the quantity but about the quality. I disagree. You need to write a lot in order to figure out what's good and what's crap.
I'm working with published authors and some very young undergraduates and lots of people in between. They are lovely people, and they can write.
Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.
Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life.
My advice to would-be young authors is to read a lot, write a lot, and not worry about creating a finished product. Keeping a journal is not a bad idea either.
People with military experience seem to do very well in these situations. They've been taught that they can control their destiny, which is half the battle. They also have some experience in getting out of bad situations even if just through training. They know they have to make a plan and follow it and execute it.
I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.
You need young, hungry, developing players in your team, but you also need that experience to level things out and get hold of some of the youngsters when they need advice in certain areas of the pitch.
A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.
Of course some people manage to write books really young and publish really young. But for most writers, it takes several years because you have to apprentice yourself to the craft, and you also have to grow up. I think maturity is connected to one's ability to write well.
I think I need the demons in order to write, but the demons have gone. It bothers me a lot. I've tried and tried, but I just can't seem to find a melody.
Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time.
There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. The first kind have had thoughts or experiences which seem to them worth communicating, while the second kind need money and consequently write for money.
Sadly I don't work well under restrictions. I need to forget the world and its rules and laws in order to enter the dreamlike flow of the fictional world. So I may be in some bad trouble.
I have wanted to write from a young age, but working with so many gifted authors and editors over the years has taught me so much. I doubt I would be where I am today without that amazing experience.
This site uses cookies to ensure you get the best experience. More info...
Got it!