A Quote by Richard Kind

Doing theater, I call it concentrated shampoo. You put a dime in the palm of your hand and you get a headful of lather. When you do a play, you're there for two and a half hours, and you live a lifetime.
You have an hour and a half or two hours - maybe two and a half hours - in a movie, and it has to be a self-contained three-act structure. It's like a rock and roll song. Certain things have to happen for it to be a toe-tapper and get people excited, leaving the theater.
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
Thank God my hair is always the same. And I get dressed very quickly. I am not one of those people who spend three hours getting dressed. I never understood that. What do you do for the two and a half hours after the half hour it takes you to get ready?
Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.
I live in a world where two truths coexist: where both hell and hope lie in the palm of my hand
In theater, you've got to be aware of your whole body because it involves stamina. It involves two-and-a-half hours and a sustained release of energy, maybe for six months.
The first practice is two-and-a-half, three hours, and it's really physical. The second practice starts after lunch at 1 p.m. We work on specific stuff, like coming to the net. After that, I play sets. Then I'm in the gym for an hour-and-a-half doing legs, upper body, and cardio.
We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.
When you shampoo your hair, you're trying to get the oil out of your roots, but you really want the rest of your hair to maintain its moisture. When you put coconut oil on the ends, the shampoo gets oil out of the roots, but also protects the ends.
For fun, I love to play the drums... poorly. I have a band, a bunch of theater nerds - we got together, and we're like, 'Let's play rock music for three hours and never take breaks.' We call ourselves The U.S. Open.
I come from a town in Washington state that might not be too familiar to Clevelanders called Chelan. It's really beautiful. It's about two-and-a-half hours east of Seattle and two-and-a-half hours west of Spokane. It's right in the middle of the state.
The actual getting into the gym and working out process was easier, but the eating was harder. I had to eat every two hours. At one point, my trainer said, 'Put anything in your mouth. Go to McDonald's, get the biggest shake possible. I just need to get calories in you.' Because my body fat at the time was only, like, seven and a half percent.
That's what I've always loved about music, that I could go be another guy for two hours. But ultimately it all comes back to: do you have the songs, can you sing them, do you have a great band that can play them with you? You're charging money to have people come watch you play; I want them to feel taken someplace good or provoked into thinking my way for an hour and a half or two hours. I have been a provoker and I'll probably always be one in the public arena for the rest of my life.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
Put your soul in the palm of my hand for me to look at, like a crystal jewel. I'll sketch it in words.
Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?
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