A Quote by Richard Le Gallienne

We also maintain - again with perfect truth - that mystery is more than half of beauty, the element of strangeness that stirs the senses through the imagination. — © Richard Le Gallienne
We also maintain - again with perfect truth - that mystery is more than half of beauty, the element of strangeness that stirs the senses through the imagination.
This element of surprise or mystery — the detective element as it is sometimes rather emptily called — is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to a plot, and cannot be appreciated without intelligence.
Mystery. The strangeness of place so necessary to some creative spirits. A perfect mixture of the classical utopia and the pagan mystery.
But though every created thing is, in this sense, a mystery, the word mystery cannot be applied to moral truth, any more than obscurity can be applied to light. ... Mystery is the antagonist of truth. It is a fog of human invention, that obscures truth, and represents it in distortion. Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself.
Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.
Without imagination of the one kind or of the other, mortal existence is indeed a dreary and prosaic business... Illumined by the imagination, our life, whatever its defeats - is a never-ending unforeseen strangeness and adventure and mystery.
Doth perfect beauty stand in need of praise at all? Nay; no more than law, no more than truth, no more than loving kindness, nor than modesty.
Beauty through my senses stole; I yielded myself to the perfect whole.
Imagination is usually regarded as a synonym for the unreal. Yet is true imagination healthful and real, no more likely to mislead than the coarse senses. Indeed, the power of imagination makes us infinite.
And here's the surprising truth: As you gaze at yourself in the mirror held by another, you will see far more than your flaws. You also will see the beauty that is uniquely you; beauty that others see clearly and you may hardly know exists. That is also part of the truth about you.
I am certain of nothing but the holiness of the Heart’s affections and the truth of the Imagination – What the imagination seizes as Beauty must be truth – whether it existed before or not – for I have the same Idea of all our Passions as of Love they are all in their sublime, creative of essential Beauty . . .
Beauty is a key to the mystery and a call to transcendence. It is an invitation to savor life and to dream of the future. That is why the beauty of created things can never fully satisfy. It stirs that hidden nostalgia for God which a lover of beauty like Saint Augustine could express in incomparable terms: 'Late have I loved you, beauty so old and so new: late have I loved you!'.
Mystery is in the morning, and mystery in the night, and the beauty of mystery is everywhere; but still the plain truth remains, that mouth and purse must be filled.
Perfect beauty implies perfect simplicity, a quality that at first sight does not arouse the emotions which we feel before gigantic works, objects whose very disproportion constitutes an element of beauty.
Vance has a genius in evoking the beauty of strangeness, the strangeness of beauty.
All conventional wisdom has an element of truth to it, but good design requires more than an element of truth - it requires an ensemble of correct assumptions and valid calculations.
If people depend on me to be a man of truth, I have to prove again and again and again and again that I am a man of truth. It cannot be that on Monday I am a man of truth, on Tuesday I speak three-quarters truth, Wednesday I speak half-truth, on Thursday I speak one-quarter truth, on Friday I don't speak at all, and on Saturday I can't even think how to speak the truth.
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