A Quote by Richard Lloyd

Television was one of those magnificent kind of events where everything fell into place. — © Richard Lloyd
Television was one of those magnificent kind of events where everything fell into place.
I fell in love with the land and with the very old fashioned idea of leaving a physical legacy for my children. A stunning place, with a magnificent forest of trees, and a magnificent river.
I think it's brought the world a lot closer together, and will continue to do that. There are downsides to everything; there are unintended consequences to everything. The most corrosive piece of technology that I've ever seen is called television - but then, again, television, at its best, is magnificent.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
Chicago is a great place because you can experience theatre, film, television, anything and everything, so for an actor it's exciting. The doors are kind of open.
A particular place in the land is never, for an oral culture, just a passive or inert setting for the human events that occur there. It is an active participant in those occurrences. Indeed, by virtue of its underlying and enveloping presence, the place may even be felt to be the source, the primary power that expresses itself through the various events that unfold there.
The Magnificent Seven was really kind of a miraculous event that took place in my life.
The most corrosive piece of technology that I've ever seen is called television - but then, again, television, at its best, is magnificent.
American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
You don't need an explanation for everything, Recognize that there are such things as miracles - events for which there are no ready explanations. Later knowledge may explain those events quite easily.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
Once I started doing stand-up, everything fell into place. That was when I started acting more; I felt like I'd found my place in the business.
I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into it accidentally.
I still love to go back to Mitchell [his home town] and wander up and down those streets. It just kind of reassures me again that there is a place that I know thoroughly, where the roots are deep. Everything had a place, a specific definition.
I put Christ first and everything else fell into place.
I'm living my dream, everything fell into the right place for me.
My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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