A Quote by Richard M. Nixon

If you want to make beautiful music, you must play the black and the white notes together. — © Richard M. Nixon
If you want to make beautiful music, you must play the black and the white notes together.
Look at the piano. You'll notice that there are white notes and black notes. Figure out the difference between them and you'll be able to make whatever kind of music you want.
Apple was selling $400 iPods with $1 earbuds. They're making a beautiful white object with all the music in the world in it... I'm going to make a beautiful black object that will play it back.
Mozart's music is particularly difficult to perform. His admirable clarity exacts absolute cleanness: the slightest mistake in it stands out like black on white. It is music in which all the notes must be heard.
Once you start to play together, vibing off each other in the scene, it's not just the notes - it's the music. The script might be the notes playing, but we're making it music.
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
And, as my father used to tell me growing up, "Play it beautiful, play it beautiful." He said, "I don't care if you don't hit all of the notes. If you don't move a person's heart, it's not music."
We're not here as a black band playing white string band music. You know, we play stuff in the Appalachians, we play stuff in the white community, but we really highlight the black community's music.
It was illegal for black people and white people to play checkers together in Birmingham. And there were even black and white Bibles to swear to tell the truth on in many parts of the South.
I want to be a great role model to let the kids, especially black kids, that it's possible to make it in this sport. I think we, as a black community, quit playing the game because we think it's a white man's sport. Or we think that since other black people don't play it, so why should I play it.
Black is beautiful when it is a slum kid studying to enter college, when it is a man learning new skills for a new job, or a slum mother battling to give her kids a chance for a better life. But white is beautiful, too, when it helps change society to make our system work for black people also. White is ugly when it oppresses blacks-and so is black ugly when black people exploit other blacks. No race has a monopoly on vice or virtue, and the worth of an individual is not related to the color of his skin.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
The black masses want not to be shrunk from as though they are plague-ridden. They want not to be walled up in slums, in the ghettos, like animals. They want to live in an open, free society where they can walk with their heads up, like men, and women! Few white people realize that many black people today dislike and avoid spending more time than they must about white people. This 'integration' image, as it is popularly interpreted, has millions of vain, self-exalted white people convinced that black people want to sleep in bed with them - and that's a lie!
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.
Everybody likes music. And rock 'n' roll - that was the music that brought white youth and black youth together for the first time in American music history.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
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