A Quote by Richard M. Weaver
The most likely way to kill a tradition is to over-formalize it, which is to carry it on in the same way after everyone has ceased to defer to it. The way to revive it is to show that it has grown out of and is still related to our most cherished values. But this requires radical insight and the stripping away of many things which are mere accretions.
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Since we are assured that the all-wise Creator has observed the most exact proportions of number, weight and measure in the make of all things, the most likely way therefore to get any insight into the nature of those parts of the Creation which come within our observation must in all reason be to number, weigh and measure.
What people generally tell you is, "We'll all agree," and then once you sign, they expect to get their own way. I think it was a bit of a surprise that I was still very headstrong even after signing. I wasn't so happy to get a deal that I would agree to anything. In fact, I disagreed on most things and got my way on most things, which I think was to all of our benefit. But they wanted the record to come out, and I wanted the record to come out, so we had to work together.
The thing we get to do is bring music to people. I think that's the most important thing we can do. That's the way we show joy. That's the way we show love. That's way we show our gifts to so many.
My Way is the Way of Karate, which is also the Way of humanity, and which is consequently related to the Way of Heaven.
Repetitiveness is one of the things that's most difficult to get away from in genre pictures, because people come specifically to see certain kinds of things but get disappointed if they're presented in the same way. So to try to find a new way to show old stuff is always the challenge.
But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
We write out of our humanity by writing through our direct experience. That which is most personal is most general, which becomes both our insight and protection as a writers. This is our authority as women, as human beings.
...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.
The conservatism is extraordinary to me; just compare the way they dress to the way their parents dress. There are still no tattoos or piercings, which is interesting to me. Why does everyone who lives in one place dress alike, look alike, eat the same thing, and decorate the same way?
When they talk about family values, it's in a repressive way, as if our American tradition were only the Puritan tradition or the 19th century oppressive tradition. The Christian tradition.
When tradition is thought to state the way things really are, it becomes the director and judge of our lives; we are, in effect, imprisoned by it. On the other hand, tradition can be understood as a pointer to that which is beyond tradition: the sacred. Then it functions not as a prison but as a lens.
You kill -- You die." That was probably the most naive thing I've ever said. The fact is -- in most cases, NOW, the way things are -- you kill -- you LIVE.
People can tell when you're happy with being you and when you're not. It's only cheesy because it's true. As I've gotten older and grown into my body, I've started realizing that the way you carry yourself and that light coming out of your eyes are the most attractive things about you.
The people that were invested in me staying the same way after a decade will most likely by default have to be disappointed.
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
The Soul which is approaching its' liberation, as it looks back over past lives... down the vistas of the centuries along which it has slowly been climbing,... is able to see there the way in which the bonds were made, the causes which set it in motion. It is able to see how many of those causes have worked themselves out and... how many... are still working themselves out.
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