A Quote by Richard Madden
Cinderella could not be more wonderful, as a woman. You're with her, the whole film. I had to create a guy that was worthy of her affections, and that was difficult.
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When a man loves a woman, he has to become worthy of her. The higher her virtue, the more noble her character, the more devoted she is to truth, justice, goodness, the more a man has to aspire to be worthy of her. The history of civilization could actually be written in terms of the level of its women.
A woman's whole life is a history of the affections. The heart is her world: it is there her ambition strives for empire; it is there her avarice seeks for hidden treasures. She sends forth
her sympathies on adventure; she embarks her whole soul on the traffic of affection; and if shipwrecked, her case is hopeless — for it is a bankruptcy of the heart.
A woman's best qualities do not reside in her intellect, but in her affections. She gives refreshment by her sympathies, rather than by her knowledge.
Woman has nothing but her affections,--and this makes her at once more loving and less loved.
Selfishly, perhaps, Catti-brie had determined that the assassin was her own business. He had unnerved her, had stripped away years of training and discipline and reduced her to the quivering semblance of a frightened child. But she was a young woman now, no more a girl. She had to personally respond to that emotional humiliation, or the scars from it would haunt her to her grave, forever paralyzing her along her path to discover her true potential in life.
Actually, if I could find a woman who was that wonderful; that understanding, well, I'd give her everything in the world that was in my power to give. And, I'd love her more than I ever thought it possible to love any woman.
My daughter had carried within her a story that kept hurting her: Her dad abandoned her. She started telling herself a new story. Her dad had done the best he could. He wasn't capable of giving more. It had nothing to do with her. She could no longer take it personally.
Glen Rice is a wonderful man. He's a wonderful guy, but you want her to be with somebody like [Dennis] Rodman getting up in there. Pushing her guts up into the back of her head
And this is woman's fate: all her affections are called into life by winning flatteries, and then thrown back upon themselves to perish; and her heart, her trusting heart, filled with weak tenderness, is left to bleed or break!
A woman caring for her children; a woman striving to excel in the private sector; a woman partnering with her neighbors to make their street safer; a woman running for office to improve her country - they all have something to offer, and the more our societies empower women, the more we receive in return.
This woman [Bow] was not simply a reflection of who her husband was. She was her own whole self. And even if we weren't exploring life through her eyes, when we did see her it was clear that she had a full life.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
I am not a historian. I happen to think that the content of my mother's life - her myths, her superstitions, her prayers, the contents of her pantry, the smell of her kitchen, the song that escaped from her sometimes parched lips, her thoughtful repose and pregnant laughter - are all worthy of art.
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
But when did you see her, talk to me? When did you see her go into the cave? Why did you threaten to strike a spirit? You still don't understand, do you? You acknowledged her, Broud, she has beaten you. You did everything you could to her, you even cursed her. She's dead, and still she won. She was a woman, and she had more courage than you, Broud, more determination, more self-control. She was more man than you are. Ayla should have been the son of my mate.
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