A Quote by Richard Madden

To be with Derek Jacobi and Stellan Skarsgard, it's a master class in acting every day. — © Richard Madden
To be with Derek Jacobi and Stellan Skarsgard, it's a master class in acting every day.
I love the acting community at Cambridge. It's really quite committed and serious, since the days of Derek Jacobi and Ian McKellen right through to Emma Thompson and Hugh Laurie.
Derek Jacobi is probably our finest actor.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. I've had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
The stoic drama 'A Somewhat Gentle Man' is photographed in a palate of steel gray tones that match Stellan Skarsgard's complexion. It's a low-blood-pressure version of the kind of thing James M. Cain used to do in his sleep, and its filmmaking accomplishment is as minimalist as its narrative ambition is minimal.
Once you've sat in a room annoying Derek Jacobi while he's trying to do his crossword, you're prepped for working with the greats.
When you're on set with an actor like Derek Jacobi, it's not hard to tell the truth when you're looking in his eyes, and he's so open and creative and ready to play.
If you work with amazing actors, you've got a master class happening in front of you. But [also] it's just acting at the end of the day.
Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.
I mean, if you are director like Lars Von Trier who is able to get actors on a table like Lauren Bacall, Ben Gazzara, James Caan, Nicole Kidman, Chloe Sevigny, Stellan Skarsgard, Udo Kier, all in the self-service situation in the same room, the same trailer, no money, then you must have something that everybody accepts.
It always makes me laugh to think that I get to sit around and chat with people like Anne Reid and Derek Jacobi and get paid for it.
It's a joy to be up close to Derek Jacobi's work. Alas, we haven't worked very much, over the years, since we were at university together, but I don't think I've missed many of his great shows and performances.
As a child, I would watch 'Frasier' a lot, and there was one episode with Derek Jacobi where he was playing this Shakespearean actor that was a terrible Hamlet. And he reenacted the performance, and for days I went on. I'd perform and do that, and I knew I wanted to do something kind of like that as a kid for awhile.
Kevin Kline gives a master class in acting. He finds every nuance of mirth and melancholy in this wonder of a role and rides it to glory. You can't take your eyes off him.
The influence of Steven Spielberg to my career is unquantifiable. Every day on the set with him is a master class in filmmaking.
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