A Quote by Richard Madden

Undoubtedly there is a difference between people with money having access to the arts that people from working-class backgrounds don't have, but that's not their fault. I'm not taking anything away from these brilliant actors who are doing great stuff in Hollywood. A lot of them are my friends.
A lot of people, most people who are working, they do it for money. And I'm not saying there's anything wrong with that. It so happens that I made a lot of money already, so I don't have to worry that much about it. I wouldn't fault anybody for doing it for the money, but it doesn't interest me right now.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.
I've never been aware of the difference between so-called posh actors and working-class actors.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
I know a lot of people in the music business who came from working-class backgrounds and they vote Tory.
If there's anything you want to do and you can't figure out why you're not doing it, there's a simple answer: you link more pain to doing it than not doing it. Hey, if you don't have enough money, for example I know that's an issue for a lot of people. It was for a good deal of my life. If you don't have money there's only one reason: you link more pain to having more money than to not having it.
There are people who are at fault for one or another problem. These people are very avaricious and self-serving. They're not doing it just to do it; they're doing it for the money. That money, they keep here. When you say, "We're going to find these people, these guilty people, the ones who are not only breaking laws but are also hurting their own fellow country people," and you say, "We're going to punish them, specifically, that's a step in the right direction."
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
There is quite a lot of mutual misunderstanding between the upper middle class and the working class. Reviewing what's been said about the white working class and the Democrats, I realized that there's even a lot of disagreement about who the working class IS.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star.
I would prefer to use a very inclusive definition of the working class. I'd like to include all of those people who are, if they're not exploited by an immediate employer over them, they're exploited by the system and therefore have a cause to want to change the system. Having a very inclusive definition of the working class creates a great opportunity for organizing people.
Both labels are super awesome, with super awesome people who want to get stuff done. The biggest difference is that Sub Pop is already established, but working with Burger seems like we're part of something. They're growing, and I'm growing with them. They're my friends, and we're doing it together.
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