A Quote by Richard Marx

I fell off stage and bruised some ribs. The worst part was that the audience didn't realize I was gone. — © Richard Marx
I fell off stage and bruised some ribs. The worst part was that the audience didn't realize I was gone.
I've broken my nose, I've broken ribs. You name it. In fact, we just got back from South America, and I fell over a monitor speaker on the stage and almost ended up in the front row of the audience. I managed to sprain my wrist on that one but luckily nothing was broken.
Ive broken my nose, Ive broken ribs. You name it. In fact, we just got back from South America, and I fell over a monitor speaker on the stage and almost ended up in the front row of the audience. I managed to sprain my wrist on that one but luckily nothing was broken.
I had a snowboarding accident. I fell off a horse. I've had a concussion, a fractured rib... I walk into walls. I'm always bruised up.
My skirt fell off on stage during a performance of Hairspray on Broadway, revealing my fat suit over my own natural fat suit. I turned to the audience and said, 'Now you know why I spent six years in a square.'
On stage I try to be as spontaneous as possible, feeding off the energy of the audience. I just let myself be and have fun on stage.
And the worst part is before it gets any better we're heading for a cliff. And in the free fall I will realize I'm better off when I hit the bottom
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.
I actually grew up being part of the kids' choirs, so I knew 'Joseph' basically my entire life. We've brought in this new multimedia aspect that really makes the show jump off the stage and into the audience.
I screwed my knee up once because I fell off the stage.
The only thing that really matters in the initial part of my career, the worst mistake I've ever made was try to do things to please the audience thinking how the audience is going to respond if I do this.
When I first started to learn to run the ropes, that was really painful for me: it's just cable wire wrapped in tape. It bruised my ribs so bad, it hurt to be hugged; it hurt to lay down.
When we began to tour, no one expected me to be a part of the band, so I used that as a tool, and would start the set off-stage or in the audience, as a surprise, because no one expected this little girl to get up and rock the way I do.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
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