A Quote by Richard Marx

My joke, which isn't really a joke, is that there will be one of two tours: the tour for the album that does well, or the tour for the album that stiffs. — © Richard Marx
My joke, which isn't really a joke, is that there will be one of two tours: the tour for the album that does well, or the tour for the album that stiffs.
So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
The reason I stopped doing the band is that I wanted to do something different... Yes had become like 'Groundhog Day' for me. I loved being in the band, but it was album-tour, album-tour, different album-different tour.
We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'
I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I tour whether I have album out or not. I tour more than any other hip-hop artist.
Right now the focus is the album that is released and then the tour coming up. After the tour they will let us know about the options and offers that came in for us.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
Yes, but I view Frank's music as fully composed. In other words, the arrangements can work for any idiom such as a rock band or an orchestra. Frank was a brilliant arranger and could make his music work in any context. He proved that tour after tour and album after album.
For me, a tour show should have a narrative; it should have an arc. It shouldn't just be, "Here's one joke, here's another joke." That's not my style. They all have to somehow link together.
I spent six figures of my own money to get a tour bus and do a fan tour for my second album. I surprised fans at their houses, and we'd eat food and play video games.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
If you talk about the 'Tango in the Night' album, the reason I didn't do that tour was because the album took about 10 months, and it was such an uncreative atmosphere.
When we came off the tour for the last album, we started on this one. We've just been chipping away at it. We're not in that much of a hurry, because when we release a Blur album, that's a three year promotion and touring cycle.
When we finish this tour we are going to begin writing and go into the studio to hopefully have a brand new Foreigner album out in early spring next year. This will be the first Foreigner album out in about ten years.
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