A Quote by Richard Marx
One time Robert Plant was set to check into the same room after I checked out, so I removed every light bulb and ordered up a bunch of stinky cheese and put it under the mattress.
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You boys know what tropism is, it's what makes a plant grow toward the light. Everything aspires to the light. You don't have to chase down a fly to get rid of it - you just darken the room, leave a crack of light in a window, and out he goes. Works every time. We all have that instinct, that aspiration. Science can't dim that. All science can do is turn out the false lights so the true light can get us home.
How did you even know I wasn't in my room?" "I checked on you." Finn gave me a look like I was an idiot. "I check on you every morning." "You check on me when I'm sleeping?" I gaped at him. "Every morning?" He nodded. "I didn't know that." "Why would you know that? You're sleeping," Finn pointed out.
If you don't know a light bulb is a three-way light bulb, it messes with your head. You reach to turn it off, and it just gets brighter! That's the exact opposite of what I wanted you to do! So you turn the switch again, and it gets brighter once more! I will break you, light bulb!
It was watching Madeline Alby eat cheese with every ounce of her being, like it was the first and best time, that made him realize that he had never really tasted cheese, or crackers, or life. And he didn't want his daughter to live that way. He'd moved her into her own room the night before...He hadn't slept well, and had gotten up five times during the night to check on her, only to find her sleeping peacefully, but he could lose a little sleep if Sophie could go through life without his fears and limitations. He wanted her to experience all the glorious cheese of life.
After I defended my title the first time when I beat Sarah Kaufman, I went back to my room, and my friend ordered all these trays of hot wings. They came into the room, and the little hotel sheet thing was draped over it, and I go to open it up, and it's breaded and boneless. I cried.
One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
Safety is top priority for us, and all our drivers are fully certified; all of them are checked. Their addresses are checked. Backgrounds are checked. To whatever extent the Indian system makes it possible to check.
You have to expect spiritual warfare whenever you stand up for righteousness or call attention to basic values. It's just a matter of light battling the darkness. But the light wins every time. You can't throw enough darkness on light to put it out.
To me, lighting really sets the mood for a room. A 40 watt bulb in a cheap lamp is the same as a 40 watt bulb in an expensive one.
By the time I was 10, I was doing plays for Phoenix theater. My first lead role was as the Stinky Cheese Man. I got a taste of the limelight, and I just couldn't stop. It was a way for me to be the artistic, geeky kid that I was, and not get beat up.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
Robert was never the same after he put on that crown. Some men are like swords, made for fighting. Hang them up and they go to rust.
Fridays after school, especially when the weather was lousy, Mom would take me to the library. She'd let me check out whatever I wanted, and I checked out a lot.
'Don't be the moth. Be the light bulb.' When I say that I mean don't follow the crowd. Just shine. Be the light bulb. Do your thing. Pave your own path.
When you go to a normal architecture firm they aren't going to be innovative in terms of their systems. They're not going to be thinking of the whole lifespan of this project, or how do we document every single light bulb, or every product, so that when a chair breaks in a conference room, we can replace it right away.
The greatest thing about my house was that I was in the far end of it and I could make as much noise as I wanted. By the time I moved out, I had a full-sized piano, two full-sized organs, bits and pieces of a drum kit, and a whole computer set up for Pro Tools. I had this mattress in between the piano and the organ. That was the only walking room.
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