A Quote by Richard Matheson
I had to write about realistic circumstances. Thats the way my brain works. And I think that gave me a sort of place in the field.
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I had to write about realistic circumstances. That's the way my brain works. And I think that gave me a sort of place in the field.
To me, it seems more realistic to my thought process when things feel a little scattered in the lyrics. Being disjointed is not that abstract of a thing when I think about how my brain works - I feel like it's almost more realistic. That's how my brain works.
Everything is super personal. Basically all of the songs are 'this is my life and what I feel about it.' That's how my brain works and thinks about things. It's really strange because I never really think about what I want to write about - it sort of just comes out. I literally say whatever is in my brain.
I think one of things is that all fantasy it seems to me works the way your brain basically works. This is perhaps a startling concept, but I think it's true.
Think about the way you go surfing on the Internet - you go from one thing to another. You can't really concentrate. I can't sit and read 10 pages on my computer. You'll read and then all of a sudden part of your brain is like, "What about that? ...You're not reading the whole book. You're reading fragments. Even though I think it's bad, I think it's interesting too, because that's the way my brain works.
I never think about anything in my brain. I think in very small repetitive circles inside my own brain. That's why I'm a writer. It's the only way I get any sort of conclusion or understanding about anything.
I think no one but me has the right to write about my life as I want to write it in a particular way. I don't think any other person will be able to tell the story of my life like how I have approached it. It works best when it's written by someone who has experienced it herself.
I try to write about realistic people doing realistic things. Or as close as I can get, given that I'm trying to write a suspenseful crime novel.
Modeling was sort of a way to not work in a bar - it gave me time to really think about what I wanted to do, and things I liked and didn't like.
I'm sort of religious, actually. God can be interpreted many ways, I think. If others were more open-minded about what god can be, instead of just calling it god and saying it works this way or that way, we'd all be in a better situation and a better place.
When I'm putting some communication out on Twitter or Facebook or Instagram, I think that it's helping me, my brain, you know, because it's always somehow stimulated by people who are sending things to me. And it works both ways. It's great. My brain is very happy about it.
You know, I used to say, when people say, 'How do you think about what to write about in the poems every week?' And I say, 'Well, I have to turn it in on Monday, so on Sunday nights I turn the shower to iambic pentameter and it sort of works out that way.'
Because I write realistic fiction, I generally don't think about fixing anyone - I just think about how I want to feel at the end of the book - And I try to write toward that feeling.
There's a booming, rotating, never sleeping city in the center of my brain and no body can come in and I can't escape. I have a strange sense of pride that my brain works that way, but I'm also terrified of what would happen if I ever tried to think in another way.
The way my brain works, it created me thirsty. From the off, I was a sponge for information that had emotional connotations, I think that was it. I was brought up to see the world as emotional, and anything that I could get my hands on that helped me explore that emotional stuff, I was fascinated by.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
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