A Quote by Richard Meale
I was composing before I realised I was a composer. It came more or less naturally. There were a couple of old ladies lived next door to me, and I frequented their house more than I did my own, because it had all those marvellous things in that that old ladies do have. And they had a piano, and I used to play around with that; they showed me how to read music and I used to play to them.
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I was composing before I realised I was a composer. I mean it came more or less naturally.
I'm so jealous of my friends who came from these super musical households where they were learning piano at three years old. My parents didn't really play loads of music around the house. We had the radio, but they weren't teaching me about music.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
My mom used to take me to antique shows, which I hated because everything was so dusty and old and there were all these weird ladies selling their antiques. We call them "eclectic" now. But it was really amazing that I was exposed to that when I was younger. Now that I have my own taste, I understand it more.
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
My parents were out of town and sent me to stay at my grandma's house. That's where I learned how to make pancakes. I served them to all the old ladies who lived on her block. After the meal, they each left a $5 bill next to their plates. I thought, 'Hey, I'm onto something here.'
I played the piano as a boy for six years, from the time I was six to 12 years old. My piano lessons ended when my father died because our family had no more money. I used to have a mestiza teacher. She'd come once a week to teach me piano lessons, and she'd bribe me each time with an apple; otherwise, I wouldn't play.
I have played old ladies since I was 17 years old, and very convincingly. I've always looked funny and was too tall to play the leads and so had to play the grandmothers.
I open the door for old ladies, I help old ladies across the road. I do a show for leukemia every year, but I don't broadcast that because it's against my image.
Initially, I just used the guitar as a prop. I'd pose with it in front of a mirror in my Kiss makeup when I was skipping school. Then I figured out how to play the main riff to Deep Purple's 'Smoke on the Water' on just the E string. Next, my old man showed me how to play barre chords, and that's when things started getting really heavy.
What i'm trying to tell you," Min said, "is that im going to grow up to be one of those chubby old ladies. It's in my genes. Like self raising flour. i'm going to pouf." "thats going to work out well for me," Cal said. "because i'm going to grow up to be one of those horny old men who chases chubby old ladies around the couch.
I never saw my grandfather because he had died before I was born, but I have good memories of my grandmother and of how she could play the piano at the old house.
I had an affinity for music and could play anything I heard on the piano, but I wasn't scholastically advanced in any way. It was more of a habitual tendency. I would work on weekends at piano bars playing jazz when I was an art student, but the music wasn't mine - it was covers: everything from Radiohead to really old jazz. But other than that, the only training I had was piano lessons from when I was nine until I was eleven.
If you're talking about mugging little old ladies, you don't say, 'What's our target for the rate of mugging little old ladies?' You say, 'Mugging little old ladies is bad, and we're going to try to eliminate it.' You recognize you might not be a hundred percent successful, but your goal is to eliminate the mugging of little old ladies. And I think we need to eventually come around to looking at carbon dioxide emissions the same way.
I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life.
When I was 6, 7 years old, I was raised on all the old-school stuff. My momma used to play oldies in the house. That's all my momma used to play around the house was oldies.
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