A Quote by Richard Meier
Rome has not seen a modern building in more than half a century. It is a city frozen in time.
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The origins of the modern West are often seen in the Enlightenment of the seventeenth and eighteenth century, but the roots of the Enlightenment can be found in habits of mind cultivated in Athens, Rome, and Jerusalem, and the institutions that grew from them.
Since the building of Constantinople, and the removal of the seat of government to that city, no political quarrel separated Rome from Egypt. Pagan Rome, ever since the union of the two countries under Augustus, except when interrupted by the rebellions, had been eagerly copying the superstitions of Egypt, and Christian Rome still followed the same course.
Many of the received models of modern architecture and planning owe their ultimate origin to the building code and public health reform movements of the second half of the 19th century.
I'm frozen in time, it's more than just you being a dyme
I see the other half of me when I look in your eyes
There's something hypocritical about a city that keeps half of its population underground half of the time; you can start believing that there's much more space than there really is-to live, to work.
The different American experience of the 20th Century is crucial because the lesson of the century for Europe, which essentially is that the human condition is tragic, led it to have a build a welfare system and a set of laws and social arrangements that are more prophylactic than idealistic. It's not about building perfect futures; it's about preventing terrible pasts. I think that is something that Europeans in the second half of the 20th century knew in their bones and Americans never did, and it's one of the big differences between the two Western cultures.
There were never a lot of attacks on my work. We were building more parks than were ever built in the city, building more recreation centers, fixing more streets. We had national events, the Super Bowl, the (Major League Baseball) All-Star game, Final Four. We built seven hotels. The city hadn't built a hotel in 20 or more years.
The west has a great deal to answer for in the Middle East, from Britain's belated empire-building after the First World War to the US and British policy that condemns modern Iraq to the material and social squalor of a half-century ago.
Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee!
He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath: “Only God knows how much I loved you
We've seen in the last half century an incredible shift. This is just an extraordinary time to be alive.
The tall building, concentrating man in one place more densely than ever before, similarly concentrates the dilemma of our public architecture at the end of the twentieth century: whether the new forms made possible by technology are doomed by the low calculations of modern patrons and their architects.
The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities ... We pay for a single fighter with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people.
NATO was formed post-World War II. We're a little bit more than a half-century old. Do we want NATO to go on for another half-century? I think that the answer is, sitting here today: I don't know. If I had to bet on it, I would say, yeah, we have to have these alliances going forward and see who's going to pay for them.
Rome is the city above all cities which loses most of its meaning to those who do not bring to it some historical sense, a decent knowledge of art, and a good amount of time. Rome therefore is particularly disturbing to an American.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
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