A Quote by Richard Meltzer
And the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.
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I don't get how people want to read books on computers because it must be really bad for your eyes, for starters. I love the smell of books and I just like the whole experience of it. Maybe I'm just old-fashioned, but I like that whole experience - it's the same as I like putting on a record or a CD and waiting for it to arrive or buying it and waiting to listen to it in full.
But...as bad as it was, I learned something about myself. That I could go through something like that and survive. I mean, I know it could have been worse--a lot worse-- but for me, it was all I could have handled at the time. And I learned from it.
Making money is awesome and fun as hell, but they're saying, "Well, you're offered a whole lot of money to do this," and it's like, well, I do want the money, but I don't really do that - like headline a big festival or something like that. I could go there and do that, but it isn't really what I do. It feels weird to me.
Just like the Internet disrupted the publishing industry, we're going to see Bitcoin micropayments creating some very interesting opportunities for pay-as-you-go, pay-based-on-time online businesses and, frankly, some risks as well to the traditional business model as to how things get sold online.
I never could read science fiction. I was just uninterested in it. And you know, I don't like to read novels where the hero just goes beyond what I think could exist. And it doesn't interest me because I'm not learning anything about something I'll actually have to deal with.
The thing with fashion is that when I see something that I like, I just go with it. I don't really go towards one designer or the other. It's just what I like. It could be expensive, it could be cheap. If it fits me, and it's my style, I'll wear it.
Where in the world have you seen construction people who do everything on time, with good quality and at minimal prices? Just give me one country like that. A country like that doesn't exist in the world, you know. There's not one such country anywhere in the world.
I don’t know if you’ve ever felt like that. That you wanted to sleep for a thousand years. Or just not exist. Or just not be aware that you do exist. Or something like that. I think wanting that is very morbid, but I want it when I get like this. That’s why I’m trying not to think. I just want it all to stop spinning.
I mean, I take that with the biggest amount of pride there could possibly be because I have so many idols of gymnasts that were before me. I think having perspective now on how hard it is for all of the starts to line up for something like that to happen, I'm just very proud of that moment and that whole atmosphere.
Richard Nixon was the best thing that ever happened to journalism. I mean this guy was wonderful. Just when you thought he could get no worse, he got worse.
That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
I was just burnt out. I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat - it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
I like very masculine smells. I like wood scents on men. I just like a man to smell great, but I don't like very strong cologne. I don't like when a man is overpowered by cologne. I think subtle and sexy is always best.
It's great bein' on tour with Mariah, just because it's like, sold-out audiences, and it's packed from the ceiling to the floor. And when the crowd screams my name, it's just like, exuberating, or something. It's like, my whole body fills up and my adrenaline pumps very, very hard.
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