A Quote by Richard Meltzer
My issues with it are that simply in terms of my own work. It represents 30 years of output. And some of the things, some of the pieces I've used there, when I first wrote them, they seemed probably very menacing, and I hear them now, and they're just kind of pleasant, if that's the word.
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For the first few years I wrote jokes and performed them word for word and then wrote tags for them and did that word for word and that worked pretty well. Now, I do almost all of my writing on stage and then record and listen for any new things and then I write those down.
The things that were happening 30 years ago are now very interesting to people, now very much in style again. There is some kind of 30 year resonance that goes through human culture and expresses itself in different ways.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
Barack Obama's said some very nice things and he says them well. But if you ask me, the reason that we're looking at somebody who is such an inexperienced senator, who has said some very pleasant but not especially sterling or innovative things, the reason that he's considered such a big deal is simply because he's black.
I write every day and I just love doing it. It's just... it's just a wonderful thing. Some of my stories work, some of them don't work. Some of them are wild and I love them, but they certainly don't fit into any kind of a normal system that I know about.
Some languages are musical in themselves, so that it is pleasant to hear any one read or converse in them, even though we do not understand a word that we hear.... Others are full of growling, snarling, hissing sounds, as though wild beasts and serpents had first taught the people to speak.
If I looked at some of these pieces as if this project was not spoken-word but just short anthology, I probably would have fussed with some of the sentences, you know? Syllabication and prosody and such crap. Because the printed word is etched in stone. But for reading purposes I accepted this book of texts in the manner in which I wrote them, no need to fuss. Most of the shorter stuff was written as poetry. Meaning lots of white space on the page.
For 35 years, I was a writer. I wrote a lot of jokes. Some of them weren't funny. Some of them weren't appropriate. Some of them were downright offensive. I understand that.
For 35 years I was a writer. I wrote a lot of jokes. Some of them weren’t funny. Some of them weren’t appropriate. Some of them were downright offensive. I understand that.
For years I taught in universities and high schools for classes of 30 or 35 students. Now I teach in very large venues with thousands of people in the audience. I used to have notes. Now I just let go and let God. I just allow it to come, and I didn't do that before. I never even used the word "God" for twenty or twenty-five years. Now it just rolls out of my mouth all the time.
Freaks was a thing I photographed a lot. It was one of the first things I photographed, and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
With some of the journalists, I've known them for years now, and I kind of consider them like my friends, so I always tend to joke around, and some people don't get it.
The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
No woman or man is any one thing and the men in my stories, well, some of them are good and some of them are terrible, and most of them make the lives of the women they love much harder than need be. Why? Because that's the kind of storytelling I was drawn to when I wrote these stories, most of which are at least seven years or more old.
When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.
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