A Quote by Richard Misrach

One of the things that was really influential early on was Ezra Pound's Cantos, one poem he worked on for 50 years. It's epic. I had a great deal of difficulty understanding it. One of the problems was you'd be reading along in English and he would move to a Chinese ideogram or French-he actually used seven different languages in a given poem. And for somebody who's not fluent in different languages it has the impact of rupturing your way of understanding something.
People are so used to reading novels now, they just read a poem straight through to get the meaning. And that's something totally different from the slow way you read something if it's a tune; which to me a poem has to be.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
Growing up biracial and speaking four languages - French, Chinese, Portuguese, and English - gave me a different lens. I was always very acutely aware of coming from a different perspective. I think that definitely contributed to what I chose to do with my life.
Languages like English, Spanish, and Chinese are healthy languages. They exist in spoken, written, and signed forms, and they're used by hundreds of millions of people all over the world. But most of the 6,000 or so of the world's languages aren't in such a healthy state.
I actually speak fluent English and Spanish and... I dabble in a couple of languages, but I'm not fluent in German, Russian and Arabic.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
I'm used to shifting languages because my father used to speak to us, to my brother and I, he used to speak in English. He wanted us to be quite fluent in English, especially when he was trying to correct our behavior; he would do that in English.
Sometimes I am a different character in different languages. I have different enjoyment from them. Sometimes different answers come out of me. Like, I didnt even know that about me. I get to know myself through different languages, actually.
Sometimes I am a different character in different languages. I have different enjoyment from them. Sometimes different answers come out of me. Like, I didn't even know that about me. I get to know myself through different languages, actually.
I write. I have read a great deal. I enjoy books. I like the wit of languages. Even French I like. I like to be able to think in different modes. I like to be able to use the language a great deal and carry on rehearsals in French.
Yes, we are all different. Different customs, different foods, different mannerisms, different languages, but not so different that we cannot get along with one another. If we will disagree without being disagreeable.
I want to reiterate that my understanding of the poem is not the poem's core, true meaning. Once a poem goes out into the world, the poet is just one more reader.
With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.
If I wrote in a sonnet form, I would be distorting. Or if I had some great new idea for line breaks and I used it in a poem, but it's really not right for that poem, but I wanted it, that would be distorting.
The puzzle and conundrums of Emily Dickinson's poetry or The Cantos, by Ezra Pound, is infinitely pleasurable. Or Ronald Johnson's Ark. And the experience extends a whole lifetime. But the intensity of certain vocalized language affects our bodies in a particular way, and that further actualization propels me. The Greeks explored this; there were very particular meters used in making war, different ones for a love chant.
I have some English words on the first album, but any time I try to do it, you miss something. You think it's just a simple translation from French to English, but it's so different as far as the understanding.
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