A Quote by Richard Norris
The best thing I ever bought will always be the next piece of musical equipment. I'm always interested in new techniques and there seems to be a never ending supply of great equipment to play, and to play with. My studio is a bit of a playroom.
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My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
Possessing best musical equipment has always been my craze.
I always have a guitar with me. Actually, I've got several, I play every day. And I enjoy it. I'm never very far away from them. I swear I only ever get a couple days when I'm away from a guitar, and I never like it! There's always one close by, and I play every day. Or I'll be working on something in the studio and play around a bit. It's an extension of me, really.
I didn't have any sophisticated equipment at all. The equipment we had in the studio at the time was not intended to make music; it was for testing purposes. So we had to repurpose all the equipment to make music. That made me try a lot of different things.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
There's absolutely no excuse for throwing a piece of equipment on an umpire or any player. You can argue your point and at times may accidentally bump an umpire, but to consciously throw a piece of equipment at someone is unforgivable.
I don't know concretely if it's due to superstition, but any time a new rule is implemented into the NBA or a new piece of equipment or a new technology, there is always a transition and adjustment period by players and coaches and anyone involved with the game.
I'm always getting sent new stuff, so I have to incorporate digital equipment into my sets, but I try to play vinyl as much as possible. It's just the best-sounding format still. And I've been using vinyl since I started deejaying, for over 15 years, so it also just feels the most natural for me.
I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.
Some men never seem to grow old. Always active in thought, always ready to adopt new ideas, they are never chargeable with foggyism. Satisfied, yet ever dissatisfied, settled, yet ever unsettled, they always enjoy the best of what is, are the first to find the best of what will be.
The important thing to know is that life will always deal us a few bad cards, but we have to play those cards the best we can. And we can play to win. This was one lesson I picked up when I was a teenager. It has been my guiding principle ever since. When I wanted something, the best person to depend on was myself.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.
I found Ricky Ponting the hardest to bowl to and it was a great pleasure to play against him as he was genuinely one of the best that's ever played and a really tough competitor as well. He hated you when you were on the field but he always shook your hand and was the epitome of 'play hard but play fair.'
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