A Quote by Richard North Patterson

Writing is akin to method acting. Before the writer can render a fully convincing world, he or she must inhabit that world, and every major character who lives there. I'm not suggesting that one always has to go this far. But I truly believe what makes the setting for my novels come alive is that I've lived there first.
I believe that every character is a setting, a world with moving parts, and on the other hand, every setting is, in fact, a character - a living breathing thing with personality and backstory. The way stories come to life, at least for me, is when these elements commune in relationship to one another.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
Initially I probably didn't even call it acting, but dressing up or something. As a kid I think you fully imagine the world in which you want to inhabit, so you put some clothes on and just kind of freely imagine this world, and it's a total imaginary world.
Our lives are to be used and thus to be lived as fully as possible, and truly it seems that we are never so alive as when we concern ourselves with other people.
The 'stuff' in novels touches on every aspect of the world and people's lives. That's what makes it so remarkable just how little there is in the novel about the world of money.
Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realize that excessive coincidence makes the fictional reality the writer is creating less 'real.'
I believe - I know (there are not many things I should care to dogmatize about, on the subject of writing) that writers need solitude, and seek alienation of a kind every day of their working lives. (And remember, they are not even aware when and when not they are working.) ... The tension between standing apart and being fully involved; that is what makes a writer.
The major reason for setting a goal is for what it makes of you to accomplish it. What it makes of you will always be the far greater value than what you get.
Maybe we've lived a thousand lives before this one and in each of them we've found each other... I know I've spent every life before this one searching for you. Not someone like you but you, for your soul and mine must always come together.
The great spiritual task facing me is to so fully trust that I belong to God that I can be free in the world--free to speak even when my words are not received; free to act even when my actions are criticized, ridiculed, or considered useless.... I am convinced that I will truly be able to love the world when I fully believe that I am loved far beyond its boundaries.
Don't ask what the world needs. Ask what makes you come alive and go do it. Because what the world needs is more people who have come alive
From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy.
The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
When a place comes across vividly in a novel, it's often compared to a character. I can remember writing teachers who encouraged me to treat setting as if it were a character, to give it three dimensions, to make it come alive, jump off the page.
God is alive. He has created every one of us, and he knows us all. He is so great that He has time for the little things in our lives: “Every hair of your head is numbered”. God is alive, and makes sense to become a priest: the world needs priests, pastors, today, tomorrow and always, until the end of time.
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