A Quote by Richard O'Brien
Well, when you do something like Rocky which is indefinable somehow, it always becomes difficult to lose that.
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I would like to travel light on this journey of life, to get rid of the encumbrances I acquire each day. . . . The most difficult thing to let go is my self, that self which, coddled and cozened, becomes smaller as it becomes heavier. I don't understand how and why I come to be only as I lose myself, but I know from long experience that this is so.
The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
Discipline brings us effort, sacrifice and suffering. Later it brings us something of an inestimable value: something of which those who live only for pleasure, profit or amusement will always be deprived. This peculiar indefinable joy which one must have felt oneself to understand is the sign with which life marks its moment of triumph.
I was also writing in a tradition and trying to do something different with it, something that hadn't necessarily been done before, which was a risk, but it made it interesting. My relationship with food has been complicated and rocky and not always wonderful, and it's a lens through which my entire life and identity are refracted.
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
God is that indefinable something which we all feel but which we do not know.
In Philadelphia, there's no delineation, they address me as Rocky, for real. They'll say things like: "Rocky, do you like this coat?" Or: "Rock, say hi to my sister." Or: "Yo Rock, I know a great restaurant." There's no Sylvester. Even the Mayor goes: "It's good to have Rocky here today."
Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.
The character of Rocky was built on the idea that he was chosen to do something. That's why the first image in Rocky is the picture of Christ.
I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.
Well, yeah! Now they're considered golden oldies, which is awesome. I was watching Little Women recently, and I didn't want to get up for fear of missing something. And Heathers is like my own Rocky Horror Picture Show; I recite the lines when it's on. It may seem odd, but I think it's because they're really good movies.
When food becomes the enemy, every time we lose the fight we not only gain weight, but lose our self-esteem as well.
It's always a little more difficult after taking a few years off, which we did from 2004 through 2008. It's more difficult to get the machine in gear again, but when you become used to it, then it becomes easier.
We have the idea that after we have been thinking something, it just evaporates. But thinking doesn't disappear. It goes somehow into the brain and leaves something-a trace-which becomes thought. And thought then acts automatically.
There is no secret to success except hard work and getting something indefinable which we call 'the breaks.
The evening passes somehow; I watch television with Nancy, or I write. It is difficult, not having a family, and it is difficult to explain. I always go to bed early. And I am always ready for Monday morning, that time that other people dread.
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