A Quote by Richard O'Brien

The fact that someone came forward and offered $1.25 million to make a movie was astonishing. We were also allowed to keep many of the original stage cast. — © Richard O'Brien
The fact that someone came forward and offered $1.25 million to make a movie was astonishing. We were also allowed to keep many of the original stage cast.
If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat.
I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who!I just don't see it going in that direction. I can see the original cast doing the movie very easily though.
I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who! I just don't see it going in that direction. I can see the original cast doing the movie very easily though.
25 million of Russian people suddenly turned out to be outside the borders of the Russian Federation. They used to live in one state; the Soviet Union has traditionally been called Russia, the Soviet Russia, and it was the great Russia. Then the Soviet Union suddenly fell apart, in fact, overnight, and it turned out that in the former Soviet Union republics there were 25 million Russians. They used to live in one country and suddenly found themselves abroad. Can you imagine how many problems came out?
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.
The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.
It's always weird when you see a movie, and there's no reason for someone to, like, jump on stage and be a singer, and then they just do that... But if it came organically, I would grab that mike and jump on stage for sure.
I came to NBC on 'Friday Night Lights' and they have supported that show and found ways - unprecedented ways - to keep it on the air for a long time. And when I came to them with the idea of doing 'Parenthood,' they not only supported me in doing it but also got behind it in such a way that we were able to put together this incredible cast.
I was offered 'Popeye,' which Robert Altman made. They offered me $2 million to direct that, which was good money. I wasn't interested in it. I don't like that kind of movie.
Evolution is far more than a belief or an educated guess about how people came to be as they are. It is, in fact, the product of converging evidence from many, many different fields of science. Many, many thousands of studies that, in fact, have provided a theory, an organizing principal in fact, that describes how humans came to be.
I'm never so into the three-act movie thing. I know that's the form that people talk about, but it seems to me, in the movie, you just have to keep charging forward. You couldn't start over again like you do after an intermission. You just had to keep the plot moving forward.
When I won the Oscar, I fell into that mind-set that this is a precious role. People everywhere were shouting, 'Show me the money!' I just didn't want anything that could parody the fact that I was like a tagline in a movie. So when Steven Spielberg offered me 'Amistad,' I said no; when 'Hotel Rwanda' came along, I said no.
I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.
The sound of the freezing of snow over the land seemed to roar deep into the earth. There was no moon. The stars, almost too many of them to be true, came forward so brightly that it was as if they were falling with the swiftness of the void. As the stars came nearer, the sky retreated deeper and deeper into the night color. The layers of the Border Range, indistinguishable one from another, cast their heaviness at the skirt of the starry sky in a blackness grave and somber enough to communicate their mass. The whole of the night scene came together in a clear, tranquil harmony.
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