A Quote by Richard Ojeda
Put me in a room with 50 people, and I guarantee you 48 them are going to walk out saying, 'Ojeda's my guy.'
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I leave at half-time; by then you can see which way it's going. If you ask me to name five of our team, I couldn't. There's that guy who scores goals - Taarabt. Routledge I've heard of. All bloody nice guys but I don't mix with them so I don't know them well. I don't go in the dressing room. They can walk out of the showers and I feel I've got an inferiority complex.
When you're the only woman of color, and you walk into a room of people who don't look like you, most of them with blond hair and blue eyes, it's disheartening. The weirdest part is that I walk in and assume they think I'm auditioning to play a different role than them, but I'm going out for their same role.
A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.
I've never been the sort of person to walk into a room and have *clicks fingers* 50 women want to sleep with me, ok, and suddenly you walk across a stage and you have a video clip and you know girls want to go out with you and think you're beautiful!
If you walk into the room, and you're smiling and have a pep in your step, people are going to be drawn to you. If you walk into a room and you're sad and you look insecure, it's bad energy.
Usually I design the lighting and when I have the physical set there, I'm not good at going out loosely and saying, 'Do you what you want, give it to the editor, and he'll figure it out.' I physically then walk on with the actors and I say, 'Let's walk until you guys feel the space works for you, and tell me when all that happens.'
Usually I design the lighting and when I have the physical set there, I'm not good at going out loosely and saying, 'Do you what you want, give it to the editor, and he'll figure it out.' I physically then walk on with the actors and I say, 'Let's walk until you guys feel the space works for you, and tell me when all that happens.
One of the big problems we had was, 'Where are we going to put the trailer?' So now they've found places - they did 'A Walk in the Woods,' they put it with that movie 'War Room,' they put it with 'Ricki and the Flash.'
Paris is a beautiful city to walk around in. And, you know, all the obvious things: I like the museums, I like the theater, I like the dance. And it's manageable. The food's good. I know a lot of interesting people here. I lived in Boston for 50 years or more. Wherever I am, I'm usually holed up most of the time in the editing room, and so, when I leave the editing room, even if I just take a walk, it's gorgeous. And I walk everywhere. I'm a victim of the seduction of Paris.
Now, revealing that you're a keeper is no guarantee that this guy won't just walk away. Some men really are just sport fishing and have no intention of doing anything more than throwing back the women they bed. If this is the cae with this man, then let him walk-what do you care? He's not the guy you're looking for.
If I walk into a room, I'm quite content to sit in the corner and chat with people who walk by. But coaching forced me to come out of my shell.
Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
In and out of dimensions I walk through walls, just saying you can't put me in a box that's all.
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
I've always favored kids as a player. If I walked out of the locker room and there were 100 people there and 50 of them were kids, I'd sign the 50 kids before anything else.
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