A Quote by Richard P. Feynman

When you get as old as I am, you start to realize that you've told most of the good stuff you know to other people anyway. — © Richard P. Feynman
When you get as old as I am, you start to realize that you've told most of the good stuff you know to other people anyway.
When you get to be a 45-year-old man, you start to realize: 'I know who I am, and I know who I'm not. I know my shortcomings, I know my strengths; maybe some of my shortcomings are my strengths.' You start to face yourself as you truly are.
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence.
Here's the thing... when people start making music, they start borrowing styles from other people, because that's what you do. You start by recreating hip-hop beats you've heard from other people, or you start mimicking other people, or you're just listening to stuff.
I'm always astounded that people know who I am and what I do. I still have a lot of anonymity and that's good. I don't get bothered in restaurants and stuff like that. But when I'm at events that are really geared toward animation fans, they know who I am. And I'm so very pleased and so flattered by it. People are extremely complimentary to me, and that only encourages me to continue to do more really good work. I get paid by the studios, but I know I work for the fans.
I tried to be really nice and like the things other people liked and do the things other people were supposed to do, and what you find out is that they're going to bully you anyway. And I thought, 'You know what? If I'm going to get bullied anyway, I might as well get bullied for making a difference in the world.'
People are like, 'Well, she doesn't know the Sex Pistols.' Why would I know that stuff? Look how young I am. That stuff's old, right?
When you get to my age, and I'm 66 now, you realize that the world is a madhouse and that most people are operating in fantasy anyway. So once you realise that, it doesn't bother you much.
Most movies are not very good. Most people know it and like to see them anyway.
Most people know who I am. Then I get the people who don't know who I am and just want to take a picture with a guy with muscles. I get more people that know me than anything.
Even if someone doesn't look like you or you don't know people like this in your real life, you get to know them and you get to see their humanity and you get to empathize with them. Our hope is that through empathy that can spark change. We hope people start talking to each other and our show sparks conversation because we need to start talking to each other, not at each other.
I don't really see a huge divide between filmmaking and television. In the end, a lot of people are going to be watching this stuff on their laptops and their iPhones anyway. So, it doesn't really matter where it comes from, as long as the stories get told.
I think it's just recognizing that who you are is not any of the stuff that you have. It's not any of the things of the ego. Coming to that awareness is a very hard thing for most people to do - but that's an excuse. If you tell yourself it's too hard, then you won't take it on. But right now, for most people, it's almost an impossibility to do so, because they're so attached to "I am what I have"; "I am what I do"; "I am what my reputation is"; or "I am all of this material stuff."
When I start getting old, I'm going to start ending my prayers like, "Lord, it'd be a good day to die." I don't wanna be 130 years old with a diaper on, all my friends dead and gone. I wanna get to heaven, come get me!
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
I am not agnostic. I am atheist. I don’t think there is no God; I know there’s no God. I know there’s no God the same way I know many other laws in our universe. I know there’s no God and I know most of the world knows that as well. They just won’t admit it because there’s another thing they know. They know they’re going to die and it freaks them out. So most people don’t have the courage to admit there’s no God and they know it. They feel it. They try to suppress it. And if you bring it up they get angry because it freaks them out.
Before I went to the Mess I made the excuse I wanted to get something out of my aeroplane, and climbed into the cockpit; I did this, however, to be able to say good-bye to the old dear; and I really felt dreadfully sorry to part with her. I get very attached to aeroplanes, and I am one of those people who think that they aren't so inanimate as we are told they are.
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