A Quote by Richard P. Feynman

That is the logical tight-rope on which we have to walk if we wish to interpret nature. — © Richard P. Feynman
That is the logical tight-rope on which we have to walk if we wish to interpret nature.
One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
Life is either always a tight-rope or a featherbed. Give me a tight-rope.
You always want to walk a tight-rope of flavor
The essence of show business is, if you see a tight-rope walker go across a tight rope, everybody claps. But, if you see him wobble, everybody gasps.
I've made choices that work with my family. I want to work and I want to be with my family so I just walk the tight-rope of showing up for both those things.
When we make a change, it's so easy to interpret our unsettledness as unhappiness, and our unhappiness as a result of having made the wrong decision. Our mental and emotional states fluctuate madly when we make big changes in our lives, and some days we could tight-rope across Manhattan, and other days we are too weary to clean our teeth. This is normal. This is natural. This is change.
When a knot gets to tight, you can always cut the rope
Life is always either; a tight -rope or a feather-bed . — Give me the tightrope.
If you let your mind talk you out of things that aren't logical, you're going to have a very boring life. Because grace isn't logical. Love isn't logical. Miracles aren't logical.
Pure mathematics is, in its way, the poetry of logical ideas. ... [By seeking] logical beauty spiritual formulas are discovered necessary for the deeper penetration into the laws of nature.
There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word?tension?has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end?is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?
Copy nature and you infringe on the work of our Lord. Interpret nature and you are an artist.
The way of paradoxes is the way of truth. To test Reality we must see it on the tight-rope.
Our ideas must be as broad as Nature if they are to interpret Nature.
To copy Nature? A boy with a camera can do that. To get the spirit of Nature? A woodman or a shepherd can follow the trail of the whistling wind to hoarded sunshine in distant wolds. But to interpret Nature and inform it with a human personality that rises above it, invokes the divine in it, is the work of genius.
What we call music in our everyday language is only a miniature, which our intelligence has grasped from that music or harmony of the whole universe which is working behind everything, and which is the source and origin of nature. It is because of this that the wise of all ages have considered music to be a sacred art. For in music the seer can see the picture of the whole universe; and the wise can interpret the secret and nature of the working of the whole universe in the realm of music.
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