A Quote by Richard P. Feynman
In the Raphael Room, the secret turned out to be that only some of the paintings were made by the great master; the rest were made by students. I had liked the ones by Raphael. This was a big jab for my self-confidence in my ability to appreciate art.
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Raphael snapped, "This isn't funny." "That's why no one's laughing." Jace stood, hauling Raphael upright, jamming the tip of his knife between Raphael's shoulder blades.
Who is there with you?" "Raphael" Kate's voice snapped. "I'll be in Atlanta in three hours. Where are you?" "I said it's nothing major." "Bullshit. You wouldn't work with Raphael unless the Apocalypse was imminent and that was the only way to prevent it.
I know that sounds so circular, but for you, what you were made to do, is different than what I was made to do. But instead of spending all of our time having Bible studies about what we were made to do, go do stuff and you'll figure out what you were made to do, because you'll be great at some things and you'll be terrible at others.
Raphael snapped, "This isn't funny." "That's why no one's laughing." -Raphael & Jace, pg.272-
All my life, my girlfriends are always skinny. Beauty in art has nothing to do with beauty in reality. Why do you like primitive art? Because there is beauty in the deformity. Sometimes paintings that people consider realistic are not at all. Raphael figures look realistic, but in real life, they were deformed.
What if at school you had to take an 'art class' in which you were only taught how to paint a fence? What if you were never shown the paintings of Leonardo da Vinci and Picasso? Would that make you appreciate art? Would you want to learn more about it? I doubt it..........but this is how math is taught and so in the eyes of most of us it becomes the equivalent of watching paint dry. While the paintings of the great masters are readily available, the math of the great masters is locked away.
I made so many films I thought were great and they turned out horrible, and I made films I did not believe in at all, and 'Shadow Of The Vampire' was one of these films I did not believe in during the shooting. And then when I saw it I was surprised what they had made out of it. They edited for quite a long time.
I liked myths. They weren't adult stories and they weren't children stories. They were better than that. They just were. Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?
My thing I liked was to challenge guys that were smaller, guys that were supposed to be quicker. Because I think self-consciously I was trying to prove to people it wasn't just my height that was getting me across in these various sports. It was some other intrinsic things that I had that made me a good athlete.
We made it. Despite the fear and predictions of doom. We made it. Even though there were days when we were tired and there were days when we forgot who we were. We made it. And we must thank the stars for this. And the birds for their beautiful songs. And the strangers who were careful to smile. We made it.
He was well aware that of the two of three thousand times he had made love (how many times had he made love in his life?) only two or three were really essential and unforgettable. The rest were mere echoes, imitations, repetitions, or reminiscences.
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
I liked the name Saadiq and didn't want to be known as an artist as Raphael Wiggins.
What is bad painting? Picabia made some deliberately bad paintings, but they were by him, so great in a way.
Hold up your head! You were not made for failure, you were made for victory. Go forward with a joyful confidence.
Raphael's pleasure, his kiss, sent her over a second time....and it wasn't until they both stirred again that Raphael reached down and undid the strap of her knife sheath, putting it and the knife on the bedside table. "Beautiful as this sheath is," he said, touching the leather, "I much prefer the one which holds my blade.
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