A Quote by Richard P. Feynman
The original reason to start the project, which was that the Germans were a danger, started me off on a process of action, which was to try to develop this first system at Princeton and then at Los Alamos, to try to make the bomb work.
Related Quotes
I grew up in Los Alamos, New Mexico, which is my hometown. In Los Alamos is, for people who don't know, a nuclear lab that built the atomic bomb. The only reason the town exists is to make nuclear weapons and weapons of mass destruction, and that's still happening there.
I will have nothing to do with a bomb! [Response to being invited (1943) to work with Otto Robert Frisch and some British scientists at Los Alamos during the Manhattan Project to create the atomic bomb.]
After May 1940, the good times were few and far between; first there was the war, then the capitulation, and then the arrival of the Germans, which is when the trouble started for the Jews.
A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.
Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
If I am practicing spiritual poverty, which says that I own nothing, then the problems aren't mine and neither are the energy and compassion pouring through my heart to try to solve them. I am just a link in the process. If I don't take anything personally, then I can do great work without flagging. The Dalai Lama once said, 'Try with all your might - to work very, very hard - to make the world a better place, and if all your efforts are to no avail . . . no hard feelings!'
Redemption means you just make a change in your life and you try to do right, versus what you were doing, which was wrong. So I think a lot of people get hooked on drugs and when they get over that addiction they go out and they try to talk to kids and they try to work in rehab centers.
My first time in Germany. We started off in Heidelberg, which is this quaint, nice town. The Germans, they shoot just like the Americans, except for, if it's a 10-hour day, they're leaving at 5. You don't go to 5:30, 6, 7. No. And then we had a fest for everything.
In the United States at present the 'culture wars' of the last thirty years have now produced a horrid stand-off which compels you all into a binary either/or with all kinds of spin-offs. This is deeply unhealthy. The trouble is that the way the system is set up in order to get in and try to change it you have to be (a) a millionaire, (b) someone who can work inside the system long-term, (c) someone prepared to make deals and compromises... Which does rule out the vast majority of committed Christians.
When I work with new girls, I talk their ear off and try to make them as comfortable as possible because I remember what it was like when I first started.
I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.
For me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.
The reason you get into coaching in the first place is to help and develop, try to make people better.
When I work with other people, I try to make up for their shortcomings with my strengths, and I let others make up for my flaws with their strengths. I try to co-operate with people around me when working in a group. I like to enhance team spirit on set. I try to get everyone involved in the action.
Related Authors
Alan Lightman Quotes
American
Physicist
Albert Einstein Quotes
German
Physicist
Brian Greene Quotes
American
Physicist
Freeman Dyson Quotes
American
Physicist
Gregory Benford Quotes
American
Physicist
J. Robert Oppenheimer Quotes
American
Physicist
James Clerk Maxwell Quotes
Scottish
Physicist
Lawrence M. Krauss Quotes
American
Physicist
Leonard Mlodinow Quotes
American
Physicist
Lisa Randall Quotes
American
Physicist
Michio Kaku Quotes
American
Physicist
Murray Gell-Mann Quotes
American
Physicist
Niels Bohr Quotes
Danish
Physicist
Roger Penrose Quotes
English
Physicist
Stephen Hawking Quotes
English
Physicist
Werner Heisenberg Quotes
German
Physicist