A Quote by Richard P. Feynman

Atoms are very special: they like certain particular partners, certain particular directions, and so on. It is the job of physics to analyze why each one wants what it wants.
If he loves, he wants to make a relationship out of it immediately! He wants to get married. He wants to create a certain conditioning. He wants to make it a contract. Or he enters a church, or he enters a political party, or he enters into any club and he wants to be structured, he wants to know where he stands in the hierarchy, in what relationship. He wants to have an identity - that 'I am this.' He does not want to remain uncertain. And life is uncertain. Only death is certain.
You ask ‘for what’ God wants you. Isn’t the primary answer that He wants you. We’re not told that the lost sheep was sought out for anything except itself [Matthew 18:12-14; Luke 15:3-7]. Of course, He may have a special job for you: and the certain job is that of becoming more and more His.
In life, things do not always stay the same. There are certain alchemies that marry together at particular moments in particular places with particular people.
Sometimes in churches somebody will discover a particular vein of spirituality and seek to recruit others into it, or assume a superior position because they have found certain techniques - but no one actually wants to become like them.
"Sometimes in churches somebody will discover a particular vein of spirituality and seek to recruit others into it, or assume a superior position because they have found certain techniques - but no one actually wants to become like them."
Are the atoms of the dextroacid (tartaric) grouped in the spirals of a right-hand helix or situated at the angles of an irregular tetrahedron, or arranged in such or such particular unsymmetrical fashion? We are unable to reply to these questions. But there can be no reason for doubting that the grouping of the atoms has an unsymmetrical arrangement with a non-superimposable image. It is not less certain that the atoms of the laevo-acid realize precisely an unsymmetrical arrangement of the inverse of the above.
Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to... y'know, we'll plan ideas and we'll certainly tussle about stuff when the script comes out. So, to a certain extent, he's very interested. If there's some problem or something that doesn't ring true, he wants to know why and he wants to correct it or fight for it.
The main thread of my work is structure property relations and materials. If you have certain atoms, why do they attract each other? Why do they make compounds? Why do they do what they do?
But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.
Each painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
Each of us does, in effect, strike a series of deals or compromises between the wants and longings of the inner self, and an outer environment that offers certain possibilities and sets certain limitations.
A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do.
At URBN, we see ourselves as customer specialists, a collection of brands, each one specializing in one particular customer group, a particular lifestyle or a life stage. We offer her things she wants in environments that inspire her. We talk to her and listen to her ideas and opinions.
I can't explain why one wants to pass a particular sort of pain onto other people, but you do.
If right now our emotional reaction to seeing a certain person or hearing certain news is to fly into a rage or to get despondent or something equally extreme, it's because we have been cultivating that particular habit for a very long time.
If right now our emotional reaction to seeing a certain person or hearing certain news is to fly into a rage or to get despondent or something equally extreme, it's because we have been cultivating that particular habit for a very long time.
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