A Quote by Richard Patrick

CD's are amazing because you get the artwork, you get to look at the lyrics, you get to look at the behind-the-scenes photos or something. — © Richard Patrick
CD's are amazing because you get the artwork, you get to look at the lyrics, you get to look at the behind-the-scenes photos or something.
I like to Instagram my dogs! I also get excited to post behind-the-scenes photos from when I was filming something.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
I mean, you take a look at this, it's one way. [Mexicans] get the jobs, they get the factories, they get the cash, and all we get - we get illegal immigration and we get drugs.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
The biggest thing when you come to my show live... is that you get to know the person's heart - the stories behind the songs, the depth of the music and there will be some amazing worship moments. You'll get an amazing experience because this is real to me and you'll see that.
This is now the way our culture prioritises. Look up 'Steppenwolf,' and you'll get the band before the novel. Look up Jesus Christ, and you'll get the musical. Look up Princess Link-a-din and you'll get LinkedIn, the business-oriented social network.
When I glare, I don't see it as aggression. I have just got such passion to get wickets. I don't ever say anything, I just have a look and see if I can get their mind concentrating on other things and get them outside their bubble. I like to get them switched on, have a look and get in a bit of a battle.
Look within, get depressed; Look around, get distressed; Look to Jesus, find perfect rest.
It still surprises me when I get cast in something. I'm not your, you know, I'm... I remember thinking really early on that you have to look a particular way and I'm quite aware of my look, so I always thought I wouldn't get a lot of screen work.
I'm lucky to get jobs where I get these amazing film horses that make me look much better than I am.
I do look better on TV. In real life, I look scruffy and pale, and I get the worst kind of recognition... I get the 'Haven't we met somewhere before?' I suggest it might be because I'm on the telly, and they say, 'No, it's definitely not that. Wasn't it at so-and-so's party?'
I like it when actors get an opportunity to chew into something. They love scenes with beginnings, middles, and ends - scenes that give an arc to their characters and allow audiences to get to know these people.
When I talk to film students, I always say, 'Buy the DVDs and listen to the commentaries, look at the making of, look at the behind-the-scenes,' because that's such a great learning tool.
When I talk to film students, I always say, "Buy the DVDs and listen to the commentaries, look at the making of, look at the behind-the-scenes," because that's such a great learning tool.
Girls get the message from very early on that what's most important is how they look, that their value, their worth depends on that. And boys get the message that this is what's important about girls. We get it from advertising. We get it from films. We get it from television shows, video games, everywhere we look. So no matter what else a woman does, no matter what else her achievements, their value still depends on how they look.
I know plenty of actresses in their early thirties who look amazing, although there's that old saying: 'Ladies get older, men get more distinguished.
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