A Quote by Richard Patrick
I worked with a lot of different, amazing people, but I was always like, "Dude, I'm sorry, you're going to have to trust me, we've got to do it this way!"
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I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
I have worked with a lot of different people who have helped me along the way.
The only thing I would tell my younger self is, 'Don't pay a lot of money for head shots.' There's always some dude in Brooklyn that's like, 'Dude, this is gonna get you the job.' And he convinces you you've got to pay $700. You don't! Your head shot doesn't matter!
I don't even think about having a "rock-star profile." But sure, I always think, "Wouldn't it be great to have your friends along for the ride?" I just feel like me, you know? I've always been me, and I feel like the same guy. It surprises me when people expect me to be anything other than just a dude. I'm just a dude.
I have worked with a lot of people, all very different creatives, helping me hone my craft and discover myself as an artist and the record I want to make. It's such an amazing process seeing and hearing the tracks that people could eventually be listening to on my debut album!
A skater goes through a lot of different feelings during a competition. Staying calm is the key point. You feel a little anxious, a little nervous, a little unsettled. That's when you've got to trust your feelings, trust your abilities. Believe in what you have worked for so long to achieve. Have faith in yourself.
My husband is the mayor. He has a lot of advisors. He has many advisors. Trust me. I'm not always the last one to state my opinion to him. And he does not always take my opinion. I think it's totally fair for any - in any couple, we just assume that people are speaking to their spouse. This is no different. In this day and age, I think we're going to see more couples like us. You know, couples who work together. I'm a volunteer, but I take this work very seriously and I want to help my husband in any way I can.
It's hard to find people to trust in the record industry, always. It's an industry with a lot of bullshit. There's a lot of people who are in positions of power that really know nothing and care for nothing. So I think, yeah, you learn pretty early on that you've really got to trust yourself more than anybody else, and that nobody's going to care about what you do more than you.
Becoming world champion is something I have worked at for my entire career. It doesn't matter to me that my first title shot is at a different weight. The opportunity is at super-middleweight and I am going to take it. But that doesn't mean I am forever going to be restricted to the super-middleweight division. I've still got a lot of work to do, a lot of unfinished business at middleweight.
Trust in things being as they are is the secret of life. But we don't want to hear that. I can absolutely trust that in the next year my life is going to be changed, different, yet always just the way it is.
I've always worked with my partner, my husband, Cameron, since 'Raw Like Sushi,' and in a way, I feel very free with what I do, but he also has an amazing insight in having intuitions that tend to be right a lot of the time, about where we should go next.
Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"
I always like to say, I am to most phenomenal thing that touched men kind...lol, lol. Yeeaa Men.. Besides that, I don't eat a lot; I don't eat a lot of carbohydrates. I am just naturally big like this, that's all. That's just something I do, if people see me on stage they are always like "man, that dude is huge". I mean I am in a good shape, I don't drink or smoke, so there are a lot of things I don't do.
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both.They're just different modes of expression.
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